Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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The Mountains review – a beautiful portrait of a family’s attempt to process a tragedy

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Christian Einshøj’s debut feature unearths home video footage taken by his father, as he and his siblings explore their long-buried feelings about their brother’s death

In his debut feature, Christian Einshøj tends to the hidden wounds of family by rewinding to the past. As a young boy, he moved from Norway to Denmark with his parents and his brother Frederik. The change was supposed to be temporary. Tragedy, however, struck: Kristoffer, one of Einshøj’s brothers, was born with a terminal condition. His illness and later death cast a dark shadow over a once tightly knit household: they would never return to Denmark to live as a family again.

Through voiceover, Einshøj recalls this painful history with profound introspection, as well as humour. Grainy home videos, largely shot by Einshøj’s father, Søren, resurface, but while Søren used his camera to preserve Kristoffer’s memories before his death, Einshøj turns to film-making as a means of reconciliation. Unable to process Kristoffer’s death, Søren retreats into the numbing grind of work. Meanwhile, Einshøj has grown apart from his surviving brothers, Frederik and Alex, both of whom experience periods of depression as a result of their shared trauma.

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