Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

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The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...
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The Kingdom review – an intensely exciting and absorbing mob drama

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Corsica-set mafia tale boasts outstanding performances from first-time actors as it follows a teenage girl discovering and revelling in her status as the blueblood daughter of a crime boss

There are fierce and overwhelmingly authentic performances here from first-timers in Julien Colonna’s terrific mob drama. The setting is Corsica, around the 1990s, in the coastal region of Ajaccio, famously the home of Napoleon. Lesia (played by nonprofessional Ghjuvanna Benedetti) is a moody 15-year-old girl living with her aunt, hanging out with her friends and boisterous extended family of cousins.

School is out for the summer and Lesia appears to be getting into a romance with a local boy. Maybe because of this, or due to other reasons, she is ordered to leave her aunt’s house and go to the luxurious and fortified family compound of her widowed father. This is mob boss Pierre-Paul (superbly played by Saveriu Santucci), a heavy-set, slow-moving but intimidating patriarch who is perhaps displeased with her behaviour, but also gruffly tender and indulgent.

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