EXCLUSIVE: After OMG Oh My God and 102 Not Out, Umesh Shukla's acclaimed play Madhuri vs Dixit to be made into a film

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Umesh Shukla has been a popular name among Gujarati audiences for several years and since 2012, he has also enjoyed nationwide popularity. That was the year when OMG Oh My God, an adaptation of his cult Gujarati play Kanji Viruddh Kanji, was made as a Bollywood film. Starring Paresh Rawal and Akshay Kumar, the devotional courtroom drama emerged as a sleeper super-hit. Six years later, he made 102 Not Out (2018), an adaptation of the Gujarati play of the same name. The film adaptation, starring Amitabh Bachchan and Rishi Kapoor, was also a success. And now, Umesh Shukla is all set to adapt yet another of his acclaimed plays for the big screen – Madhuri vs Dixit. Madhuri vs Dixit is a Hindi play and its premiere took place on April 26 in Mumbai. Interestingly, it was earlier staged in Gujarati, with the title Madhuri Dixit. It stars Riddhi Shukla and Jaideep Shah in leading roles. Interestingly, the former is also the wife of Umesh Shukla. Unnati Gala and Harshad Patel feature in suppor...
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Obsession, blackmail and Instagram: inside Lurker, the year’s most compelling thriller

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The Talented Mr Ripley gets an upgrade in a buzzy and biting film about a desperate outsider who infiltrates the inner circle of a singer on the rise

If Tom Ripley lived in LA in 2018 and was really into lo-fi bedroom pop, he might look something like the main character of Lurker. The debut feature from Alex Russell, The Bear and Beef writer-producer, is an elegantly creepy thriller about one super-fan’s scheme to become close to his musical idol, transposing author Patricia Highsmith’s “two-man theme” into a murkier grey territory, with parasitic attachment giving way to co-dependence that blooms into something that looks like a twisted kind of love.

The lurker of the title is Matthew (Théodore Pellerin), an isolated twentysomething who lives with his grandma and works shifts at a local vintage boutique to make ends meet. After a chance run-in with his idol Oliver (Saltburn’s Archie Madekwe) at the vintage store where he works, Matthew worms his way into Oliver’s entourage and makes himself indispensable – first as a videographer, then confidante and then as someone who has the power to make Oliver’s enviable life come crashing down. “The thing I found relatable is that no one tells you how lonely being any version of an artist is,” says Madekwe. “Oliver needs someone outside the paid [members of his team] to say ‘Yeah, I fuck with it. I get it. You’re so real.’ He needs it because he knows that he’s a bit of a fraud anyway.”

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