REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

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July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office. Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX rele...
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Obsession, blackmail and Instagram: inside Lurker, the year’s most compelling thriller

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The Talented Mr Ripley gets an upgrade in a buzzy and biting film about a desperate outsider who infiltrates the inner circle of a singer on the rise

If Tom Ripley lived in LA in 2018 and was really into lo-fi bedroom pop, he might look something like the main character of Lurker. The debut feature from Alex Russell, The Bear and Beef writer-producer, is an elegantly creepy thriller about one super-fan’s scheme to become close to his musical idol, transposing author Patricia Highsmith’s “two-man theme” into a murkier grey territory, with parasitic attachment giving way to co-dependence that blooms into something that looks like a twisted kind of love.

The lurker of the title is Matthew (Théodore Pellerin), an isolated twentysomething who lives with his grandma and works shifts at a local vintage boutique to make ends meet. After a chance run-in with his idol Oliver (Saltburn’s Archie Madekwe) at the vintage store where he works, Matthew worms his way into Oliver’s entourage and makes himself indispensable – first as a videographer, then confidante and then as someone who has the power to make Oliver’s enviable life come crashing down. “The thing I found relatable is that no one tells you how lonely being any version of an artist is,” says Madekwe. “Oliver needs someone outside the paid [members of his team] to say ‘Yeah, I fuck with it. I get it. You’re so real.’ He needs it because he knows that he’s a bit of a fraud anyway.”

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