Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake

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The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script Ever since Brigitte Nielsen unlaced her battle corset after shooting ended on pulpy fantasy actioner Red Sonja back in the 1980s, there’s been talk of sequels and/or reboots. Truffle around the internet and you’ll find a saga to rival the finest in Old Norse about deals signed and projects greenlit and then abandoned over the years, with names attached to direct ranging from X-Men’s Bryan Singer to Transparent’s Joey Soloway. What a shame Soloway’s version never got off the ground because that surely would have been a hoot, and probably more interesting than this soggy, CGI-infused, low-budget confection that’s finally arrived. Little-known actor Matilda Lutz gets the lead role this time around, as well as getting all the hair extensions in the auburn aisle. She presents a Sonja that’s more a pixie-like hippy chick than Nielsen’s Val...
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‘Nobody believes in the future any more’: Adam Curtis and Ari Aster on how to wake up from the post-truth nightmare

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Paranoia is exploited to control us. Movies are groomed to flatter us. And trauma has been twisted to make us blame ourselves. How can we make sense of our lives? The two film-makers try to navigate the chaos

Ari Aster’s new movie, Eddington, pits Joaquin Phoenix against Pedro Pascal as men with conflicting takes on how to get their small town through the crisis of Covid. It’s also a film about the contemporary political crisis in the US and the influence of technology on our lives.

Adam Curtis’s latest documentary series, Shifty, covers similar themes but through the lens of British life in the Thatcher years of the late 1970s to early 1990s. This era, he argues, put in place a substantial shift in power away from the individual and the nation state, changes that are still playing out today.

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