SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

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A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind. A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.” The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.” Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akh...
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No Other Choice review – sensational state-of-the-nation satire from Park Chan-wook

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Venice film festival
An unemployed paper worker hatches a cunning plan to murder his way back into the job market in this continually surprising black comedy from the director of The Handmaiden and Oldboy

Korean director Park Chan-wook’s new film brings his usual effortlessly fluent, steely confidence and a type of storytelling momentum that can accommodate all kinds of digressions, set-pieces and the occasional trance-like submission to mysterious visions. It starts out like an Ealing comedy-type caper then somehow morphs into something else: a portrait of family dysfunction, fragile masculinity and the breadwinner crisis, and the state of the nation itself. It is based on Donald E Westlake’s satirical horror-thriller The Ax from 1997, previously filmed in 2005 by Costa-Gavras, to whom this film is dedicated. It may not be Park’s masterpiece but it is the best film in the Venice competition so far.

The scene is a perfect family home, where the man of the house, You Man-su (played by Korean star Lee Byung-hun), is benignly presiding over a late-summer barbecue in the garden, grilling some eels that have been given to him by the new American owners of the paper factory where he is employed. Adoringly looking on are his wife Miri (Son Ye-jin), her teen son from a previous marriage, their daughter (a cello prodigy), and their two lovely Labradors. But those eels are in fact a heartless and misjudged part of a job payoff; the new US masters are driving through brutal redundancies and Man-su is among them. He is devastated, but without the emotional language to express or understand how profound this loss is to him. He is fanatically desperate to reclaim his manhood in the eyes of his wife, children and pets by getting a new job in the paper industry within the three months before his severance pay runs out.

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