SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

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A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind. A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.” The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.” Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akh...
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Jay Kelly review – even a George Clooney sizzle reel can’t save this dire Noah Baumbach effort

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Venice film festival
The affable star plays an affable star assessing his life and career at a Tuscan film festival in a wildly sentimental and self-indulgent piece of cine-narcissism

Everybody loves George Clooney, and rightly so. His performances in films such as Michael Clayton, Out of Sight and Ocean’s Eleven have been a joy, and as an elegant public figure he has more or less single-handedly underwritten the continuing currency of Hollywood classiness. But in this dire, sentimental and self-indulgent film, he has the look of a man who has found strychnine in his Nespresso pod and can’t remember which of the cupboards in his luxury hotel suite contains the antidote.

It is directed by Noah Baumbach, whose 2022 film White Noise, based on the Don DeLillo novel, was a superb competition entry at Venice. (Baumbach was reportedly disconcerted by a tepid response; I thought it was brilliant.) But this one is a grisly, sucrose, sub-Fellini swoon on the subject of a super-handsome Hollywood actor attending a Italian arts festival to accept a lifetime achievement award, and naturally experiencing endless bittersweet flashbacks to his youth, in which the middle aged Jay Kelly looks on, with that knowing Clooney smile.

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