EXCLUSIVE: Trailer of Kapil Sharma-starrer Kis Kisko Pyaar Karoon 2 to be launched in a GRAND event on November 26

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10 years ago, Kapil Sharma made a rocking debut in Hindi films with Kis Kisko Pyaar Karoon (2015). It surprised the trade and industry as it opened in double digits, at Rs. 10.15 crores. As a result, expectations are tremendous for its second part, titled Kis Kisko Pyaar Karoon 2. Bollywood Hungama has learned that the trailer will be launched in 2 days from now. A source told Bollywood Hungama, “The theatrical trailer of Kis Kisko Pyaar Karoon 2 will be unveiled on Wednesday, November 26, at a grand event in Mumbai. It will be graced by lead actor Kapil Sharma, Manjot Singh and his four heroines, namely, Warina Hussain, Ayesha Khan, Tridha Choudhury and Parul Gulati. Director Anukalp Goswami and producers Ratan Jain, Ganesh Jain and Abbas-Mustan are also expected to be present.” The source further said, “The makers are happy with the way Kis Kisko Pyaar Karoon 2 has shaped up and are excited to launch the trailer in a big way. Hence, they have decided to go all out for the event. Mo...
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Jay Kelly review – even a George Clooney sizzle reel can’t save this dire Noah Baumbach effort

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Venice film festival
The affable star plays an affable star assessing his life and career at a Tuscan film festival in a wildly sentimental and self-indulgent piece of cine-narcissism

Everybody loves George Clooney, and rightly so. His performances in films such as Michael Clayton, Out of Sight and Ocean’s Eleven have been a joy, and as an elegant public figure he has more or less single-handedly underwritten the continuing currency of Hollywood classiness. But in this dire, sentimental and self-indulgent film, he has the look of a man who has found strychnine in his Nespresso pod and can’t remember which of the cupboards in his luxury hotel suite contains the antidote.

It is directed by Noah Baumbach, whose 2022 film White Noise, based on the Don DeLillo novel, was a superb competition entry at Venice. (Baumbach was reportedly disconcerted by a tepid response; I thought it was brilliant.) But this one is a grisly, sucrose, sub-Fellini swoon on the subject of a super-handsome Hollywood actor attending a Italian arts festival to accept a lifetime achievement award, and naturally experiencing endless bittersweet flashbacks to his youth, in which the middle aged Jay Kelly looks on, with that knowing Clooney smile.

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