Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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‘It was the Nasa of puppetry’: how we made 1990 kids movie Teenage Mutant Ninja Turtles

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The performers and director of the original TMNT film describe how they battled hellish costumes and slippery sets to bring their tale of family bonding and kung fu to life

Steve Barron (director): [Hong Kong production company] Golden Harvest didn’t know whether to use creature suits or hand-drawn animation like Who Framed Roger Rabbit. The cartoon series was becoming quite popular so they thought: “Maybe the cartoon characters could come into a live-action film?” I thought: “No. This has to be real and in the sewers where it’s moody.” I didn’t get anything cinematic from the cartoon. I did from the comic book.

Josh Pais (Raphael): They flew us to London to get body casted. I was in the back room of Jim Henson’s Creature Shop with my arms out to the side suspended by ropes. They started covering my body in plaster and did the back of my body first. Then they started my front, neck and my face. They put straws in my nose so I could breathe. The plaster gets warm as it sets and everything was heating up. I couldn’t hear and things started accelerating so I went inward. Later, they said they kept me in longer than they needed to see if I’d freak out.

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