SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

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A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind. A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.” The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.” Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akh...
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Daruma review – disabled veteran is landed with a four-year-old in soft-hearted indie road movie

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A surly war vet takes in the daughter he never knew he had in a well-intentioned but overly sentimental film

This low-budget, US-made comedy-drama is full of sincerity and good intentions but that doesn’t quite get off the hook for its egregious sentimentality and copious cliches. But the well-directed (though somewhat artless) performances and competent assembly make it palatable enough to pass the time, especially if you have a particular interest in stories about living with a disability.

The protagonist is surly war veteran and wheelchair-user Patrick (Tobias Forrest, who uses a wheelchair in real life). When he’s not drunk, in a strip club or both, he’s down at the social security office bickering with the staff. (The fact that there’s still an office he can wheel into betrays the fact this was made well before the Trump administration and Doge started gutting the agency.) One day, a pair of social workers show up and inform Patrick that he’s the father of a four-year-old girl, Camilla (Victoria Scott, adorable), who he never knew existed. Her mother has just died from cancer, and Camilla’s options are limited to either staying with Patrick (her upkeep will be paid for by a life insurance policy that kicks out $4k a month), moving in with her grandparents on the other side of the country, or going into foster care.

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