Pankaj Tripathi’s brother hospitalised after alleged sharp-weapon assault in Bihar

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Bijendra Nath Tiwari, the brother of acclaimed actor Pankaj Tripathi, has reportedly sustained serious injuries following an alleged attack in Bihar. According to reports, the incident took place in Belsand village, which falls under the jurisdiction of the Madhopur police station. As per information shared by news agency IANS, Tiwari was injured in a sharp-weapon assault that is believed to be connected to a long-standing dispute. Following the attack, he was initially taken to a local medical facility before being shifted to Patna for advanced treatment due to the severity of his condition. Attack on Pankaj Tripathi’s brother allegedly linked to old rivalry Reports suggest that the attackers had allegedly been waiting in the village and targeted Tiwari over an old feud. According to the complaint cited in media reports, the assailants allegedly launched a sudden attack using sharp weapons, leaving him with serious injuries. IANS shared an update on social media regarding the inciden...
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Below the Clouds review – a ghostly yet luminous cinematic mosaic of Naples crowns a superb trio

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Venice film festival
There is a real end-of-days quality to Gianfranco Rosi’s utterly distinctive documentary of war, violence, cynicism and the climate crisis in an uneasy city

Gianfranco Rosi has made a movie that could be thought of as the last of a conceptual trilogy about normal life and spiritual life in Italy: the first was his Sacro GRA from 2013 about Rome, for which Rosi won the Venice Golden Lion; the next was Fire at Sea about the migration crisis as experienced in Lampedusa in Sicily. Now there is Below the Clouds, in luminous black-and-white. It’s another of his brilliantly composed docu-mosaic assemblages of scenes and tableaux, shot from fixed camera positions without any camera narration.

The title is taken from Jean Cocteau: “Vesuvius makes all the clouds in the world.” Rosi reports from Naples, a city uneasily preoccupied with the earthquakes and volcanic eruptions for which it is famed, and with the great catastrophe of AD79 that buried nearby Pompeii. We see the archaeological digs that are still disinterring vital material – and clips from Rossellini’s Journey to Italy on the subject, playing in an eerily deserted cinema (which would appear to be Rosi’s one “fictional” contrivance, but which chimes with genuine scenes of firefighters grimly clearing charred debris from a burnt-out cinema).

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