Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers

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In this documentary, high schoolers camp out in subzero temperatures, making their own fires and driving sledges in the wild The Pasvik Folk high school in remote northern Norway teaches teenagers to grow as young adults and escape the pressures of toxic social media by challenging them to get back in touch with their “stone age brain” and live like hunter-gatherers in the snowy wild. This is the subject of a documentary from Heidi Ewing and Rachel Grady. Over winter months of almost continuous darkness, the teens cleanse themselves with tasks such as camping out in subzero weather, making their own fires and driving sledges with huskies. Prior to all this of course is presumably a solemn promise to do without their phones, tablets and laptops, although there are no scenes of the kids actually having to surrender these gadgets (this isn’t rehab, after all). They have to swim in icy water; and they make it look like fun. What doesn’t look like fun is the camping out and there is one t...
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Zero review – Senegalese time-bomb thriller is a blast

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An American wakes up on a Dakar bus to find an explosive device strapped to his chest in Jean Luc Herbulot’s propulsive and strikingly shot action thriller

Set in Senegal’s capital Dakar, this action thriller is so strikingly shot, so propulsively edited and so confident in its tonal shifts that by the end viewers are likely to feel enervated and stunned, but in a good way. It has one of those literal ticking-time-bomb narratives; a corny device to be sure, but one that Congolese writer-director Jean Luc Herbulot, with assistance from main actor and co-writer Hus Miller, manipulates in fresh and interesting ways. Certainly it will inspire some viewers to take a plunge into Herbulot’s back catalogue, which includes festival-anointed gangster-horror flick Saloum, another adept genre mash-up set in Senegal.

The conceit here is that Miller’s white, American-accented unnamed protagonist, called simply #1 in freeze-framed titles, wakes up on a Dakar bus with a sophisticated bomb strapped to his chest that is set to go off in 10 hours’ time. The bomb is connected to a countdown-displaying mobile phone, and a young woman sitting nearby explains to him that he needs to put a Bluetooth earpiece in his ear and answer when he hears the phone ring. When it does, a croaky American-accented voice (Willem Dafoe, no less!) explains that #1 has a number of chores to perform that day before the bomb goes off.

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