Kangana Ranaut defends Aishwarya Rai Bachchan amid Cannes criticism: “She is not here to please you”

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Actor Kangana Ranaut has come out in support of Aishwarya Rai Bachchan after the latter faced criticism on social media over her appearance at the Cannes Film Festival 2026. Responding to the online discourse surrounding Aishwarya’s fashion choices, Kangana shared a strongly worded note defending the actor and speaking about individuality, self-expression, and the scrutiny faced by women in the public eye. Taking to her Instagram Stories, Kangana posted a photo from Aishwarya’s first Cannes red carpet appearance this year, where the actor was seen wearing a striking blue gown. Sharing her thoughts on the criticism, Kangana wrote, “Fashion and style is a self expression, it is one's own interpretation of life and their attitude, no woman owes anything to anyone, Ash looks great!!” The actor further criticised those judging Aishwarya’s appearance and questioned the unrealistic standards often imposed on women, especially senior actresses. “Those of you who want to see her any other ...
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Zero review – Senegalese time-bomb thriller is a blast

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An American wakes up on a Dakar bus to find an explosive device strapped to his chest in Jean Luc Herbulot’s propulsive and strikingly shot action thriller

Set in Senegal’s capital Dakar, this action thriller is so strikingly shot, so propulsively edited and so confident in its tonal shifts that by the end viewers are likely to feel enervated and stunned, but in a good way. It has one of those literal ticking-time-bomb narratives; a corny device to be sure, but one that Congolese writer-director Jean Luc Herbulot, with assistance from main actor and co-writer Hus Miller, manipulates in fresh and interesting ways. Certainly it will inspire some viewers to take a plunge into Herbulot’s back catalogue, which includes festival-anointed gangster-horror flick Saloum, another adept genre mash-up set in Senegal.

The conceit here is that Miller’s white, American-accented unnamed protagonist, called simply #1 in freeze-framed titles, wakes up on a Dakar bus with a sophisticated bomb strapped to his chest that is set to go off in 10 hours’ time. The bomb is connected to a countdown-displaying mobile phone, and a young woman sitting nearby explains to him that he needs to put a Bluetooth earpiece in his ear and answer when he hears the phone ring. When it does, a croaky American-accented voice (Willem Dafoe, no less!) explains that #1 has a number of chores to perform that day before the bomb goes off.

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