EXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT

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Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri. It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows! For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prim...
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Zero review – Senegalese time-bomb thriller is a blast

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An American wakes up on a Dakar bus to find an explosive device strapped to his chest in Jean Luc Herbulot’s propulsive and strikingly shot action thriller

Set in Senegal’s capital Dakar, this action thriller is so strikingly shot, so propulsively edited and so confident in its tonal shifts that by the end viewers are likely to feel enervated and stunned, but in a good way. It has one of those literal ticking-time-bomb narratives; a corny device to be sure, but one that Congolese writer-director Jean Luc Herbulot, with assistance from main actor and co-writer Hus Miller, manipulates in fresh and interesting ways. Certainly it will inspire some viewers to take a plunge into Herbulot’s back catalogue, which includes festival-anointed gangster-horror flick Saloum, another adept genre mash-up set in Senegal.

The conceit here is that Miller’s white, American-accented unnamed protagonist, called simply #1 in freeze-framed titles, wakes up on a Dakar bus with a sophisticated bomb strapped to his chest that is set to go off in 10 hours’ time. The bomb is connected to a countdown-displaying mobile phone, and a young woman sitting nearby explains to him that he needs to put a Bluetooth earpiece in his ear and answer when he hears the phone ring. When it does, a croaky American-accented voice (Willem Dafoe, no less!) explains that #1 has a number of chores to perform that day before the bomb goes off.

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