Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Zero review – Senegalese time-bomb thriller is a blast

An American wakes up on a Dakar bus to find an explosive device strapped to his chest in Jean Luc Herbulot’s propulsive and strikingly shot action thriller

Set in Senegal’s capital Dakar, this action thriller is so strikingly shot, so propulsively edited and so confident in its tonal shifts that by the end viewers are likely to feel enervated and stunned, but in a good way. It has one of those literal ticking-time-bomb narratives; a corny device to be sure, but one that Congolese writer-director Jean Luc Herbulot, with assistance from main actor and co-writer Hus Miller, manipulates in fresh and interesting ways. Certainly it will inspire some viewers to take a plunge into Herbulot’s back catalogue, which includes festival-anointed gangster-horror flick Saloum, another adept genre mash-up set in Senegal.

The conceit here is that Miller’s white, American-accented unnamed protagonist, called simply #1 in freeze-framed titles, wakes up on a Dakar bus with a sophisticated bomb strapped to his chest that is set to go off in 10 hours’ time. The bomb is connected to a countdown-displaying mobile phone, and a young woman sitting nearby explains to him that he needs to put a Bluetooth earpiece in his ear and answer when he hears the phone ring. When it does, a croaky American-accented voice (Willem Dafoe, no less!) explains that #1 has a number of chores to perform that day before the bomb goes off.

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