The Strangers: Chapter 3 review – pointless remake trilogy ends with a sputter

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Renny Harlin’s thankless trio of movies, taking a simple story and extending it for no creative reason, is at least finally over If you’re wondering how this shrug-along horror series has got this far, Renny Harlin shot all three back-to-back in Bratislava in late 2022; reshoots followed the indifferent response to the first chapter in 2024, which didn’t much alleviate the even more indifferent response to last year’s second . We’re getting them whether we wanted them or not: the modest resources had been spent, and so we now arrive at the last knockings which comprise this year’s most dutiful carnage. The mistake is to expand a morally gloomy universe that was better off self-contained; the more light Harlin and collaborators let in, the more their set-up presents as generic runaround, hopelessly out of place amid the recent horror renaissance. We’re deep into Strangers lore now, but last girl standing Maya (Riverdale graduate Madelaine Petsch, who surely hoped this was her Neve Ca...
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Tanishaa Mukerji blasts critic for calling Saiyaara success ‘fake’: “What rubbish is this man saying?”

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Tanishaa Mukerji has come out strongly in defence of the recently released romantic musical Saiyaara, after a podcast speaker accused the film’s team of paying Gen-Z audiences to create emotional scenes in theatres for promotional purposes.

The controversial statement was made during The Asymmetric Crew podcast, which featured the creator of The Barber Shop with Shantanu. A speaker, during a candid segment, alleged that the emotional reactions seen in theatres post-Saiyaara screenings were not genuine. “What's happening with this ridiculous Saiyaara movie. The producer of this movie, in my view, has paid ₹500 in dehadi to lots of these Gen-Z young folks to go into these theatres and put on emotional performances of crying… This is how the movie is getting promoted by the way. The whole world has now become a bunch of performers,” the speaker claimed, sparking outrage online.

In a sharp rebuttal, actress and producer Tanishaa Mukerji dismissed the criticism, calling it baseless and regressive. “Completely disagree. Times are changing and these people are stuck in the past. Love and appreciate the new. And honestly, what rubbish is this man saying? Does he know anything for a fact. He is using the phenomenon of Saiyaara to get views by talking negatively. If people are reacting to a film what is so wrong about that. Just because he cannot relate doesn’t mean the younger generation doesn’t either. Every generation is different. This is India. We react. Go watch the film see how the audiences are moved. Then talk. This is just Bollywood bashing! Brands just have to find new ways to connect to their audiences!” Tanisha said in a strongly worded statement.

Saiyaara has become somewhat of a cultural moment ever since its release, especially among younger audiences. The film marks the Bollywood debut of Ahaan Panday, nephew of veteran actor Chunky Panday, alongside newcomer Aneet Padda. Directed by Mohit Suri and produced under the Yash Raj Films banner, the film blends soulful music with an intense love story.

While the debate rages on about modern film marketing and audience behavior, Tanishaa’s statement has sparked an important conversation on generational shifts and how emotion-driven content connects with evolving viewers.

Also Read: Saiyaara Box Office: Mohit Suri directorial surpasses Pathaan, Kabir Singh, Sanju and Bajrangi Bhaijaan; breaks into Top 15 All-Time Highest Second Monday grossers



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