Priyanka Chahar Choudhary confirmed as new Naagin! Ektaa R Kapoor unveils Naagin 7 lead on Bigg Boss 19 with Salman Khan

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The wait is finally over for Naagin fans! On the latest episode of Weekend Ka Vaar, television czarina Ektaa R Kapoor made a special appearance on Bigg Boss 19, joining host Salman Khan on stage — and with her came a major revelation that set the internet buzzing. Kapoor officially announced Naagin 7 and introduced the show’s new lead — Priyanka Chahar Choudhary. The announcement came as a delightful surprise for fans who had long been speculating about the next face of the fantasy franchise. Dressed in her Naagin avatar, Priyanka made a stunning entry on the Bigg Boss stage, performing a captivating act that marked her grand return to television. The actress, who rose to fame with Udaariyaan and became one of the most loved contestants on Bigg Boss 16, is now ready to embrace her most powerful role yet. Expressing her excitement, Priyanka shared that the role of Naagin has been a dream come true. She revealed that this opportunity was first hinted at during her stint in the Bigg Bos...
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Sofonisba’s Chess Game review – pioneering female Renaissance artist gets her due

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Documentary analysis of benchmark 16th-century painting is absorbing but focus on a single work misses the chance to reveal an extraordinary life

Like its predecessors from the Ideas Roadshow series, this essay film looks like a high-grade PowerPoint presentation but shines because of its exceptional subject: the pioneering female Renaissance artist Sofonisba Anguissola and her psychologically luminous portraiture. The film is centred on this queen’s gambit: her c 1555 portrait of her three sisters and housemaid playing chess, which clocked up numerous firsts. Apart from being the first Renaissance all-female group painting and the first to juxtapose women of different classes, its most groundbreaking accomplishment was depicting real-life – rather than symbolic or idealised – women.

Narrated by Elizabeth van Sebelle, the film sticks to basic summaries to relay the context. Born around 1532 into a lapsed aristocratic family from Cremona, as the eldest child Anguissola got a fancy Carthaginian first name (her father was Amilcare) and artistic training a cut above the average woman of the time. Initially schooled by distinguished local painters, she impressed Michelangelo in her early 20s when he challenged her to draw a weeping boy. Her artistic apprenticeship was meant in part to bolster her marriage chances rather than to give her a career in her own right – a career she had, nevertheless, becoming court painter to Philip II of Spain, and subtly influencing her peers.

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