Osiris review – Linda Hamilton drops in to rescue charmingly hokey space-horror

The fella-in-a-suit aliens resembling past pop culture beasties are a strength of an entertaining abduction adventure An entertaining-enough space-horror, a mishmash of storylines and character types that sees some special forces commandos abducted by a gang (herd? flock? troop?) of aliens whose intentions are aligned more closely with the likes of the predator than lovely little ET the Extra-Terrestrial. The pop culture off-worlders these beasties most resemble physically, however, are the xenomorphs from James Cameron’s Aliens – and not the massive multi-limbed queen, mind you, but the smaller foot-soldier guys who can be played by a fella in a suit. This fella-in-a-suit aspect is the one of the film’s strengths. You might argue that it hinders the willing suspension of disbelief, because you always know you’re looking at a fella in a suit. But in truth there’s something about the physicality of even the hokiest practical effect that is more enjoyable than all but the most skilfull...

‘I am elated each time I watch’: why Rushmore is my feelgood movie

The next in our series of writers drawing attention to their most-watched comfort films is a reminder of Wes Anderson’s idiosyncratic 1998 comedy

“Let’s hope it’s got a happy ending,” Herman Blume, played by Bill Murray in one of his best roles, says near the end of Wes Anderson’s 1998 film Rushmore. He makes the remark about an over-the-top, literally pyrotechnic school play that his teenage friend Max Fischer (Jason Schwartzman) has just debuted to an audience of dazed teachers and parents. But his comment stands in for the whole movie, an audacious and risky comedy that should not work, but does. I am elated each time I watch this poignant, wise and wildly funny film – and, yes, there is a happy ending.

Rushmore is about children trying to act like adults and adults acting like children. Fischer is a precocious scholarship student at Rushmore, a prestigious private boys’ school. He is the sort of bright but naive young person who tries to impress an adult by telling them, with a straight face, that he plans to apply to Oxford and the Sorbonne for university, with Harvard as a “safety.” In fact, Fischer spends more time planning lavish plays and starting school clubs than studying. He is one of the school’s “worst students,” his headmaster (Brian Cox) sighs.

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