Robert Carradine obituary

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Hollywood actor for more than five decades best known for 1980s cult film Revenge of the Nerds and the teen comedy series Lizzie McGuire Of the four sons who followed their father, John Carradine, into acting, Keith had the most prestigious career, David netted the largest audience thanks to his early-1970s TV series Kung Fu, and the little-known Bruce amassed a meagre handful of minor credits. The youngest, Robert Carradine, acted continuously without ever becoming a star. He has taken his own life aged 71, after suffering from bipolar disorder, which was exacerbated by David’s death in 2009. He had small roles in Martin Scorsese’s Mean Streets (1973), where he was the long-haired gunman who shoots dead the drunk played by David, and as a tracker in Quentin Tarantino’s Django Unchained (2012). He also joined David and Keith as the three Younger brothers in Walter Hill’s western The Long Riders (1980), which populated its cast with other sets of real-life siblings, such as James an...
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‘I am elated each time I watch’: why Rushmore is my feelgood movie

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The next in our series of writers drawing attention to their most-watched comfort films is a reminder of Wes Anderson’s idiosyncratic 1998 comedy

“Let’s hope it’s got a happy ending,” Herman Blume, played by Bill Murray in one of his best roles, says near the end of Wes Anderson’s 1998 film Rushmore. He makes the remark about an over-the-top, literally pyrotechnic school play that his teenage friend Max Fischer (Jason Schwartzman) has just debuted to an audience of dazed teachers and parents. But his comment stands in for the whole movie, an audacious and risky comedy that should not work, but does. I am elated each time I watch this poignant, wise and wildly funny film – and, yes, there is a happy ending.

Rushmore is about children trying to act like adults and adults acting like children. Fischer is a precocious scholarship student at Rushmore, a prestigious private boys’ school. He is the sort of bright but naive young person who tries to impress an adult by telling them, with a straight face, that he plans to apply to Oxford and the Sorbonne for university, with Harvard as a “safety.” In fact, Fischer spends more time planning lavish plays and starting school clubs than studying. He is one of the school’s “worst students,” his headmaster (Brian Cox) sighs.

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