Kangana Ranaut defends Aishwarya Rai Bachchan amid Cannes criticism: “She is not here to please you”

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Actor Kangana Ranaut has come out in support of Aishwarya Rai Bachchan after the latter faced criticism on social media over her appearance at the Cannes Film Festival 2026. Responding to the online discourse surrounding Aishwarya’s fashion choices, Kangana shared a strongly worded note defending the actor and speaking about individuality, self-expression, and the scrutiny faced by women in the public eye. Taking to her Instagram Stories, Kangana posted a photo from Aishwarya’s first Cannes red carpet appearance this year, where the actor was seen wearing a striking blue gown. Sharing her thoughts on the criticism, Kangana wrote, “Fashion and style is a self expression, it is one's own interpretation of life and their attitude, no woman owes anything to anyone, Ash looks great!!” The actor further criticised those judging Aishwarya’s appearance and questioned the unrealistic standards often imposed on women, especially senior actresses. “Those of you who want to see her any other ...
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Heidi: Rescue of the Lynx review – baby lynx is extra ingredient in new version of classic Alpine yarn

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Also adding an evil land developer to the well-loved children’s story of a kindly girl in the Swiss mountains is ultimately uninspiring

In a picturesque mountain village in the Swiss Alps, a property developer named Schnaittinger is working away to convince the naive local inhabitants that his proposal for a new sawmill is just what they need to get their economy humming. In this inoffensive and ultimately uninspiring children’s animation, peppy little tomboy Heidi realises pretty quickly that this self-styled entrepreneur – sample line: “Machines can help us live a better life” – really only cares about his own profit margins.

Heidi and her friend Peter are given an added incentive to foil the bad guy’s dastardly schemes in the form of an adorable baby lynx that would be imperilled by the development of the area. The lynx is cute in that standard no-brainer kid’s animation way, with big eyes and a stumbling gait guaranteed to tap directly into the “preserve and protect” part of your brain. Unfortunately, watching Heidi unravel Schnaittinger’s evil plot is an exercise in well-intentioned narrative predictability. Various narrative curlicues such as Heidi’s outcast grandfather’s redemption in the eyes of the villagers and Heidi’s pen pal Clara showing up in the third act don’t add much jeopardy to matters.

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