Cannes looks beyond Hollywood as US film-makers mostly fail to make the grade

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The 79th edition of the influential festival boasts an auteur-heavy lineup – with one, very big, country conspicuous by its almost total absence Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup Has Europe fallen out of love with the US? Has Cannes fallen out of love with Hollywood? Will the festival, like Nato, become a non-American institution? Either way, the annual announcement of the Cannes selection has revealed a list that skews away from Hollywood towards a renewed dominance of world-cinema auteurs and heavy hitters, including Pedro Almodovar, Cristian Mungiu and Asghar Farhadi. There’s certainly nothing to compare with last year’s Tom Cruise Mission: Impossible extravaganza, although there are directorial debuts out of competition for Andy Garcia (also starring) with his crime drama Diamond, and John Travolta directs Propeller One-Way Night Coach, expressing his love of aviation, based on his own novel. There are no Britis...
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Disneyland at 70: artists on the park’s five best rides – and why they still captivate

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The California theme park is busier than ever. We asked artists, designers and historians to weigh in on the attractions that stand the test of time

A visit to Disneyland can be an exhausting experience. The line for a ride can be hours long; there are hordes of overstimulated children and the sheer quantity of gift shops is overwhelming. When the park first opened, on 17 July 1955, an adult ticket cost $1 and kids were 50 cents: now a single day’s entry for one person can easily run $200 or more.

Despite all the kitsch and cartoon capitalism, though, Disneyland still delivers moments of actual magic, and that’s largely due to the inventiveness of its theme park rides.

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