EXCLUSIVE: Makers of Maa upset with distributor due to release strategy and distribution of shows of the Kajol-starrer

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The latest release, Maa, has managed to put up impressive numbers in its first two days, thanks to the casting of Kajol, the horror genre, and positive word of mouth. However, the makers are unhappy with the release strategy and distribution of the film. A source close to the film told Bollywood Hungama, “Maa has released in around 1500 screens and ideally, a film like this should have got a screen count of around 2000. After all, it has the association of Ajay Devgn and Kajol and moreover, it is a horror film, which is the flavour of the season. Sadly, that didn’t happen and also it was noticed by the makers that the shows weren’t properly allotted across cinemas. Though it’s a horror film, it also appeals to the family as evident by its title and the U/A rating. Hence, it should have got prominent showcasing in the afternoon and evening and also overall more shows but in many places, that hasn’t happened.” The source continued, “As a result, the makers are displeased with the arran...
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‘The risk was worth it’: All Fours author Miranda July on sex, power and giving women permission to blow up their lives

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The artist and author’s hit book had so much in common with her own life that even her friends forgot it wasn’t real. How did this revolutionary portrayal of midlife desire come to inspire a generation of women?

When Miranda July’s All Fours was published in May last year, it triggered what felt like both a spontaneous resistance movement and the sort of mania last experienced when the final Twilight book dropped, except this time for women in midlife rather than teenage girls. Two friends separately brought it to my house, like contraband dropped out of a biplane. Book groups hastily convened, strategically timed for when the men were out of the picture.

The story opens with a 45-year-old woman about to take a road trip, a break from her husband and child and general domestic noise. She’s intending to drive from LA to New York, but is derailed in the first half hour by a young guy, Davey, in a car hire place, to whom she is passionately attracted. The next several weeks pass in a lust so intense, so overpowering, so lusciously drawn, it’s like a cross between ayahuasca and encephalitis. The narrator is subsumed by her obsession, and disappears her normal life. The road trip is a bust from the start, but the effort of breaking the spell and going home looks, for a long time, like way too much for the narrator, and when she finally does, to borrow from Leonard Cohen (perhaps describing a similar situation), she’s somebody’s mother but nobody’s wife.

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