Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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S/he Is Still Her/e: The Official Genesis P-Orridge Doc review – Throbbing Gristle’s gender-challenging tabloid-baiter

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Sympathetic docu-biography centres on the conceptual artist deemed ‘too shocking for punk’ who inadvertently spawned the industrial music genre

Genesis P-Orridge was the performance artist, shaman and lead singer of Throbbing Gristle who was born as Neil Megson in Manchester in 1950, but from the 90s lived in the US. P-Orridge challenged gender identity but it is clear from the interviewees that there were no wrong answers when it came to pronouns: “he”, “she” and “they” are all used. This is a sympathetic and amiable official docu-biography in which the subject comes across as a mix of Aleister Crowley, Charles Manson and Screaming Lord Sutch. The “P-Orridge” surname makes me suspect that Spike Milligan might have been an indirect influence, although there’s also a bit of Klaus Kinski in there as well.

Genesis P-Orridge, known to friends and family as Gen, started as a radical conceptual artist, rule-breaker, consciousness-expander and tabloid-baiter who with Throbbing Gristle influentially coined the term “industrial music”, a term later to be borrowed without acknowledgment by many. They were, in the words of Janet Street-Porter, shown here in archive footage, “too shocking for punk”. P-Orridge formed a new band, Psychic TV, in the 1980s, and then also formed a group of likeminded occultist provocateurs called Thee Temple ov Psychick Youth. (The film tactfully passes over how very annoying that spelling is.)

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