Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western

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Rotterdam film festival The Repo Man director relocates Gogol’s surreal novella to the old west in what he says will be his final film English film-maker Alex Cox comes riding into town with this jauntily odd and surreal western which he has indicated will be his swansong, shot on the rugged plains of Almeria in Spain and also Arizona. Cox himself is the star – an elegant, dapper presence – and his co-writer is veteran spaghetti western actor Gianni Garko. The story has obvious relevance to contemporary America, and a flash-forward makes some of this clear. But it is also inspired by the classic novella of the same name by Nikolai Gogol, a mysterious parable of greed and vanity about a man who travels around offering to buy the souls of dead serfs on various estates in pre-revolutionary Russia so landowners can lower their tax bills, but plans to claim that they are still alive and therefore pass himself off as a wealthy man. Continue reading... from Film | The Guardian https://i...
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S/he Is Still Her/e: The Official Genesis P-Orridge Doc review – Throbbing Gristle’s gender-challenging tabloid-baiter

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Sympathetic docu-biography centres on the conceptual artist deemed ‘too shocking for punk’ who inadvertently spawned the industrial music genre

Genesis P-Orridge was the performance artist, shaman and lead singer of Throbbing Gristle who was born as Neil Megson in Manchester in 1950, but from the 90s lived in the US. P-Orridge challenged gender identity but it is clear from the interviewees that there were no wrong answers when it came to pronouns: “he”, “she” and “they” are all used. This is a sympathetic and amiable official docu-biography in which the subject comes across as a mix of Aleister Crowley, Charles Manson and Screaming Lord Sutch. The “P-Orridge” surname makes me suspect that Spike Milligan might have been an indirect influence, although there’s also a bit of Klaus Kinski in there as well.

Genesis P-Orridge, known to friends and family as Gen, started as a radical conceptual artist, rule-breaker, consciousness-expander and tabloid-baiter who with Throbbing Gristle influentially coined the term “industrial music”, a term later to be borrowed without acknowledgment by many. They were, in the words of Janet Street-Porter, shown here in archive footage, “too shocking for punk”. P-Orridge formed a new band, Psychic TV, in the 1980s, and then also formed a group of likeminded occultist provocateurs called Thee Temple ov Psychick Youth. (The film tactfully passes over how very annoying that spelling is.)

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