Ritesh Batra returns with a love story 6 years after Photograph, shoot begins this September: Report

-
The acclaimed filmmaker Ritesh Batra’s is set to return to the director’s chair, six years after his last release, Photograph (2019), which starred Nawazuddin Siddiqui and Sanya Malhotra. As per a report in Mid-Day, Batra is gearing up to begin production on a new romantic drama—staying true to the gentle, emotional storytelling that has become his hallmark over the past 12 years. The project is expected to go on floors in September. “Ritesh spent a considerable time writing this big romance. The film is in final prep mode,” an insider revealed to the publication. Known for delivering heartfelt Indian romantic dramas like The Lunchbox (2013) and Photograph (2019), as well as international narratives such as Our Souls at Night (2017) and The Sense of an Ending (2017), Batra is now set to bring a cross-cultural love story to life. “It’s a mature romance between an Indian man and a foreigner. It’s the kind of sensitive drama about love and loss that Ritesh has come to be known for,” a s...
Post a Comment

Housefull 5: Choreographer Remo D’Souza faces dance plagiarism allegations from content creator over the song ‘Laal Pari’

-

Dancer, choreographer, and digital content creator Sandip Brahamin has publicly accused Housefull 5 choreographer Remo D’Souza of copying one of his signature dance moves for the film’s song ‘Laal Pari’, without giving him credit. The allegation was made through an Instagram video that Sandip shared recently, reigniting the debate around creative plagiarism in the entertainment industry.

About a month ago, after the song was unveiled, Sandip called out the choreographer for copying his original steps without attribution. In the video, he specifically addressed the resemblance of moves in ‘Laal Pari’ to a sequence from one of his older dance clips. He said in the video, “You all have seen my signature moves. My move has been copied in Housefull 5 song Laal Pari. Many of my friends DMed me on Instagram. Therefore, I rechecked on Instagram and YouTube. They’ve neither mentioned me nor have they given me credit. I don’t know what is happening.”

The video also included side-by-side comparisons showing lead actors Akshay Kumar, Abhishek Bachchan, and Riteish Deshmukh performing the contested step, followed by footage of Sandip performing what he claims to be the original choreography. The similarity between the moves has led many online viewers to question if the creative team behind the film should have acknowledged Sandip’s work.

 

View this post on Instagram

  A post shared by Sandip Brahamin (@sandipbrahamin_11)

Meanwhile, Housefull 5 has been creating waves at the box office. Released on June 6, it is the fifth film in the successful Housefull franchise. Directed by Tarun Mansukhani and produced by Sajid Nadiadwala, Warda Nadiadwala, and Firuzi Khan, the 2025 Hindi-language comedy thriller features a massive ensemble cast including Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Sanjay Dutt, Fardeen Khan, Jacqueline Fernandez, Sonam Bajwa, and more. Notably, the film was released in two versions—Housefull 5A and Housefull 5B—each with a different climax.

While Remo D’Souza has not yet responded to the allegations, the controversy adds to the buzz surrounding Laal Pari, which has been trending since the film’s release. Whether or not the production team will address the matter remains to be seen, but Sandip Brahamin’s post has sparked discussions around the importance of acknowledging content creators in mainstream media.

Also Read: UP Police gives a safety twist to Housefull 5’s dual endings in safety campaign: “Book your climax wisely”



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/B70JnNi
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more