Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western

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Rotterdam film festival The Repo Man director relocates Gogol’s surreal novella to the old west in what he says will be his final film English film-maker Alex Cox comes riding into town with this jauntily odd and surreal western which he has indicated will be his swansong, shot on the rugged plains of Almeria in Spain and also Arizona. Cox himself is the star – an elegant, dapper presence – and his co-writer is veteran spaghetti western actor Gianni Garko. The story has obvious relevance to contemporary America, and a flash-forward makes some of this clear. But it is also inspired by the classic novella of the same name by Nikolai Gogol, a mysterious parable of greed and vanity about a man who travels around offering to buy the souls of dead serfs on various estates in pre-revolutionary Russia so landowners can lower their tax bills, but plans to claim that they are still alive and therefore pass himself off as a wealthy man. Continue reading... from Film | The Guardian https://i...
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Grenfell: Uncovered review – heartwrenching account of avoidable tragedy

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Bleak, enraging documentary combines firsthand accounts of the disaster with appalling record of official negligence

The 2017 Grenfell Tower fire in London which caused 72 deaths is now the subject of Olaide Sadiq’s heartwrenching and enraging documentary, digging at the causes and movingly interviewing survivors and their families, whose testimony is all but unbearable. At the very least, the film will remind you that when politicians smugly announce they wish to make a bonfire of regulations, they should be taken, under police escort if necessary, and made to stand at the foot of the tower. As for the housing secretary at the time of the tower’s refurbishment, the abysmally arrogant Eric Pickles, he was made a life peer in 2018.

With the very considerable help of the housing-issues journalist Peter Apps, the film shows how the horror was created by a perfect storm of incompetence, mendacity, greed, and (that heartsinking phrase) systemic failure. The local council were keen to spruce up its brutalist, concrete (but safe) Grenfell Tower because it was a “poor cousin” and depressing property values. Decorative cladding was just the ticket and the council allowed the installation of the cheapest tiles, made of aluminium composite material which was terrifyingly flammable. A US aluminium firm’s French division sold the council those tiles; in the subsequent inquiry they were accused of suppressing their own research into how dangerous another of their products was.

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