Akshay Kumar DENIES Hera Pheri 3 rift with Paresh Rawal was "publicity stunt": "There were some ups and downs. But now everything is solved"

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The third instalment of the cult 2000s comedy Hera Pheri has been making headlines ever since it was announced. After months of speculation, legal battles, and statements from the cast, Akshay Kumar has finally cleared the air, bringing some much-needed good news for fans. In an exclusive chat on The Right Angle with Sonal Kalra Season 2, produced by Gautam Thakker Films, Akshay Kumar said, "Nahi, yeh publicity stunt nahi hai. The things went legal, so when legal things are involved, we cannot call it a publicity stunt; it is a real thing.” He further added, “But ab sab kuch thik ho gaya hai. Very soon, some kind of announcement can come. Yes, there were some ups and downs. But now everything is solved, and we are back together, and we have always been together. Yes, that's it!" In the same interview, Akshay Kumar also lauded the success of Saiyaara. He said, “I think it's the best thing that has happened. One of the great things for the Hindi film industry is that ...
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Exodus review – broadside against Erdoğan’s Turkey takes the multi-narrative, multi-character route

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Serkan Nihat’s story follows a group of Turkish fugitives, but it bites off rather more than it can chew

The cinematic response to populism and incipient fascism worldwide over the last decade hasn’t fully mobilised – but this broadside on the authoritarian leanings of Erdoğan’s Turkey doesn’t pull its punches. (Unsurprisingly, it’s produced by a UK-based team.) It’s a shame then that, lambasting the effects on education, policing, freedom of expression and the demonisation of minorities, director Serkan Nihat is wedded to a hectoring, didactic method that dulls the audience’s engagement, instead of firing us up.

Nihat opts for the fragmented, multi-character narrative beloved of big-picture global film-makers in the 00s (think 21 Grams or Babel). Academic Hakan (Denis Ostier) becomes a fugitive after his pro-democracy lecture is invaded by regime goons. Hakan is later assaulted by vengeful cop Yilmaz (Murat Zeynilli), his one-time school bully, and then hooks up with another policeman, Mehmet (Umit Ulgen), also on the lam after a crisis of conscience about the politicisation of his work. The pair hole up in a safehouse full of migrants being chivvied to Greece by people-smuggler Sahab (Doga Celik). Meanwhile, Hakan and Mehmet’s wives find themselves targeted by the security forces in a clampdown.

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