Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows

Judge threw out 10 of Lively’s 13 claims against her It Ends With Us director and co-star on Thursday as trial nears Justin Baldoni’s lawyers have responded after most of Blake Lively ’s claims against the director were dismissed by a federal judge on Thursday. Judge Lewis Liman threw out 10 of the 13 claims that Lively had made against Baldoni and others, including allegations of sexual harassment, conspiracy and defamation. Continue reading... from Film | The Guardian https://ift.tt/QbFUo4B via IFTTT

Exodus review – broadside against Erdoğan’s Turkey takes the multi-narrative, multi-character route

Serkan Nihat’s story follows a group of Turkish fugitives, but it bites off rather more than it can chew

The cinematic response to populism and incipient fascism worldwide over the last decade hasn’t fully mobilised – but this broadside on the authoritarian leanings of Erdoğan’s Turkey doesn’t pull its punches. (Unsurprisingly, it’s produced by a UK-based team.) It’s a shame then that, lambasting the effects on education, policing, freedom of expression and the demonisation of minorities, director Serkan Nihat is wedded to a hectoring, didactic method that dulls the audience’s engagement, instead of firing us up.

Nihat opts for the fragmented, multi-character narrative beloved of big-picture global film-makers in the 00s (think 21 Grams or Babel). Academic Hakan (Denis Ostier) becomes a fugitive after his pro-democracy lecture is invaded by regime goons. Hakan is later assaulted by vengeful cop Yilmaz (Murat Zeynilli), his one-time school bully, and then hooks up with another policeman, Mehmet (Umit Ulgen), also on the lam after a crisis of conscience about the politicisation of his work. The pair hole up in a safehouse full of migrants being chivvied to Greece by people-smuggler Sahab (Doga Celik). Meanwhile, Hakan and Mehmet’s wives find themselves targeted by the security forces in a clampdown.

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