Palestine Action documentary makers fear being criminalised under anti-terror laws

Exclusive: Directors of To Kill a War Machine take legal advice as Home Office plans to proscribe protest group The makers of an award-winning documentary about Palestine Action say they fear they will be criminalised if they continue distributing the work after the group is banned under anti-terror laws. The online release of To Kill a War Machine was brought forward to this week after it emerged that the Home Office was going to proscribe the protest group, which takes direct action against Israeli arms companies in the UK. Continue reading... from Film | The Guardian https://ift.tt/HmaYpqL via IFTTT

Al Djanat: The Original Paradise review – striking account of Burkina Faso homecoming

Chloé Aïcha Boro’s watchful documentary charts the disharmony and legal wrangling caused by a dispute in her family over sacred burial land

Economic and financial woes cast a dark shadow over family bonds in Chloé Aïcha Boro’s contemplative, searching documentary. Returning to her Burkina Faso village after decades of living in France, Boro experiences an emotional paradox intimately known by all immigrants. Once-familiar places turn foreign, since the migrator has undergone huge internal changes of their own. And with the recent passing of her uncle Ousmane Coulibaly, the head of her extended Muslim family, Boro’s homecoming is marred by disharmony. Between Coulibaly’s brothers and his 19 children, warring interests over inherited land rage on.

The film returns time and again to a sacred courtyard where, for centuries, the umbilical cords of Coulibaly newborns have been buried to ensure their ascendence to heaven in the afterlife. More than a ritual, the tradition concretises the lineage of generations. But while religious rules automatically transfer Coulibaly’s claim to this land to his sons, some of the elders turn to secular laws for their bid. As the courts of Burkina Faso are based on the French colonial system, this clash is more than just a family squabble; it represents a disconnect between the past and the present of a nation.

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