SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

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A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind. A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.” The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.” Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akh...
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‘We need to do something’: the company releasing Palestinian films no one else will

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As many films struggle to find distribution, Watermelon Pictures has stepped in to help tell stories from Palestine and other marginalized communities

In March, The Encampments, a documentary on the pro-Palestinian protest movement on US college campuses, opened at the Angelika Film Center in New York. The nonfiction theatrical marketplace has never been breezy in the US, but this is a particularly difficult time for documentaries, let alone films about hot-button issues considered politically sensitive or, under the new administration, outright dangerous; one of the Encampments’ primary subjects, the Columbia University student-activist Mahmoud Khalil, remains in detention by Immigration and Customs Enforcement (Ice) without charge for any crime. Large-scale distributors, including all of the major streaming services, are increasingly wary of anything deemed controversial, leaving such films as Union, on the Amazon Labor Union, or the Oscar-winning Palestinian-Israeli documentary No Other Land without distribution in the US.

Nevertheless, over an exclusive first-weekend run, The Encampments made $80,000 at the Angelika – the highest per-screen average for a documentary since the Oscar-winning Free Solo in 2018. That number may sound like peanuts compared with, say, the multimillion theatrical haul of a Marvel movie, but it’s a significant win for the specialty box office – and validation for a film whose mere existence, as a pro-Palestinian narrative, led to threats of violence at the Angelika, an incident of vandalism in the theater’s lobby and social media censorship of its ads.

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