Sharvari leads her generation's biggest film line-up; 2 massive theatrical releases set to arrive in just 28 days

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Sharvari is fast emerging as one of the most exciting talents of her generation, and her growing filmography is proof that the industry’s biggest filmmakers and banners are betting big on her. The young actress has built an enviable line-up that includes Imtiaz Ali’s Main Vaapas Aaunga, Aditya Chopra’s Alpha, Sooraj Barjatya’s Yeh Prem Mol Liya, and YRF and Ali Abbas Zafar’s untitled next, in which she is paired opposite Ahaan Panday. What makes her upcoming slate even more remarkable is that Sharvari has two major theatrical releases within a span of just 28 days. While Main Vaapas Aaunga is set to arrive on June 12, Alpha will hit cinemas on July 10, giving her a huge opportunity to consolidate her place among the most promising young stars in the industry. Sharvari has already sparked a strong conversation with the teaser of Main Vaapas Aaunga, where her innocence and screen presence have stood out instantly. In fact, many on the internet are already calling her the “best-kept sur...
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‘We need to do something’: the company releasing Palestinian films no one else will

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As many films struggle to find distribution, Watermelon Pictures has stepped in to help tell stories from Palestine and other marginalized communities

In March, The Encampments, a documentary on the pro-Palestinian protest movement on US college campuses, opened at the Angelika Film Center in New York. The nonfiction theatrical marketplace has never been breezy in the US, but this is a particularly difficult time for documentaries, let alone films about hot-button issues considered politically sensitive or, under the new administration, outright dangerous; one of the Encampments’ primary subjects, the Columbia University student-activist Mahmoud Khalil, remains in detention by Immigration and Customs Enforcement (Ice) without charge for any crime. Large-scale distributors, including all of the major streaming services, are increasingly wary of anything deemed controversial, leaving such films as Union, on the Amazon Labor Union, or the Oscar-winning Palestinian-Israeli documentary No Other Land without distribution in the US.

Nevertheless, over an exclusive first-weekend run, The Encampments made $80,000 at the Angelika – the highest per-screen average for a documentary since the Oscar-winning Free Solo in 2018. That number may sound like peanuts compared with, say, the multimillion theatrical haul of a Marvel movie, but it’s a significant win for the specialty box office – and validation for a film whose mere existence, as a pro-Palestinian narrative, led to threats of violence at the Angelika, an incident of vandalism in the theater’s lobby and social media censorship of its ads.

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