Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

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Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour. The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about film...
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The Six Billion Dollar Man review – WikiLeaks founder Julian Assange’s rise, fall and limbo

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Cannes film festival
Focusing on the rogue’s gallery of hypocrites and crooks surrounding him, Assange himself is in the background of a pretty definitive examination

Julian Assange sits at the centre of this gripping account of the WikiLeaks founder’s rise, fall and protracted seven-year limbo inside the Ecuadorian embassy. Eugene Jarecki’s documentary takes its title from the price the incoming Ecuadorian government supposedly charged the Trump administration for helping furnish his extradition to the US, thereby reneging on a promise of political asylum. If The Six Billion Dollar Man doesn’t rebuild Assange, exactly, that’s because it’s more interested in comprehensively demolishing his enemies. Compared to the hypocrites, scoundrels and crooks who surround him, the man himself looks almost virtuous.

Actually Assange is mostly a background presence here. He’s more talked about than talking up; a karmic victim of his own success. While even his supporters admit to his personal failings (arrogance, cruelty, bouts of megalomania), the film asks us to regard him as a messenger shot down by bigger, darker forces; a man whose only real crime was publishing inconvenient truths. The Swedish rape charge, it argues, was largely cooked up as a means of delivering him to the US authorities, so that they in turn could charge him with violating the Espionage Act. “Julian Assange is not an angel carved in marble,” says the NSA whistleblower Edward Snowden (no angel himself). “But he’s not a vial of poison either.”

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