Singer Arpit Bala spits at bottle-throwing fan during Hyderabad concert, watch video

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With audiences at live concerts in Delhi for musicians like Badshah and Yo Yo Honey Singh turning increasingly unruly, the musical malaise has now moved South to Hyderabad. At a concert in Hyderabad at Kingdome Klub & Kitchen on Saturday March 28, singer-performer Arpit Bala, who gained some popularity with his song ‘Bargad’ in 2025, was targeted during his performance with an empty bottle by an unruly member of the audience. Bala hit right back. He angrily asked who threw the bottle After identifying the culprit, Bala spat at the fan as the crowd cheered loudly. Arpit Bala spitting on crowd by u/Potential_Let226 in IndianHipHopHeads Warning the audience not to repeat such acts, he added, “Mujhe farak nahi padega ki tumne kitne paise diye hain... (I don’t care how much you spent),” and continued his performance. The incident highlights the growing uneasy equation between performers and the audience at live concerts in India. They are no longer safe or even e...
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The Six Billion Dollar Man review – WikiLeaks founder Julian Assange’s rise, fall and limbo

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Cannes film festival
Focusing on the rogue’s gallery of hypocrites and crooks surrounding him, Assange himself is in the background of a pretty definitive examination

Julian Assange sits at the centre of this gripping account of the WikiLeaks founder’s rise, fall and protracted seven-year limbo inside the Ecuadorian embassy. Eugene Jarecki’s documentary takes its title from the price the incoming Ecuadorian government supposedly charged the Trump administration for helping furnish his extradition to the US, thereby reneging on a promise of political asylum. If The Six Billion Dollar Man doesn’t rebuild Assange, exactly, that’s because it’s more interested in comprehensively demolishing his enemies. Compared to the hypocrites, scoundrels and crooks who surround him, the man himself looks almost virtuous.

Actually Assange is mostly a background presence here. He’s more talked about than talking up; a karmic victim of his own success. While even his supporters admit to his personal failings (arrogance, cruelty, bouts of megalomania), the film asks us to regard him as a messenger shot down by bigger, darker forces; a man whose only real crime was publishing inconvenient truths. The Swedish rape charge, it argues, was largely cooked up as a means of delivering him to the US authorities, so that they in turn could charge him with violating the Espionage Act. “Julian Assange is not an angel carved in marble,” says the NSA whistleblower Edward Snowden (no angel himself). “But he’s not a vial of poison either.”

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