Singer-Composer Leslee Lewis makes Bollywood playback comeback after 26 years

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Veteran singer-composer Leslee Lewis is set to make a comeback as a playback singer in Hindi cinema after a gap of 26 years, marking a significant moment in his long musical journey. Known for shaping India’s Indi-pop movement in the 1990s, Lewis is returning with the song Zorr Ka Dhakka, which will mark his re-entry into Bollywood playback singing. Lewis rose to national fame as part of the iconic duo Colonial Cousins alongside Hariharan. Their fusion of Indian classical and Western pop in the mid-1990s helped redefine the independent music scene in India and earned them international recognition, including the MTV Asia Viewer’s Choice Award and the Billboard Viewer’s Choice Award. Speaking about his return, Lewis shared his excitement about reconnecting with Bollywood after decades. “I was relevant then and I’m still relevant now,” he said while discussing his comeback and his continued passion for music. He added that singing for a composition by another musician after so many yea...
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The Six Billion Dollar Man review – WikiLeaks founder Julian Assange’s rise, fall and limbo

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Cannes film festival
Focusing on the rogue’s gallery of hypocrites and crooks surrounding him, Assange himself is in the background of a pretty definitive examination

Julian Assange sits at the centre of this gripping account of the WikiLeaks founder’s rise, fall and protracted seven-year limbo inside the Ecuadorian embassy. Eugene Jarecki’s documentary takes its title from the price the incoming Ecuadorian government supposedly charged the Trump administration for helping furnish his extradition to the US, thereby reneging on a promise of political asylum. If The Six Billion Dollar Man doesn’t rebuild Assange, exactly, that’s because it’s more interested in comprehensively demolishing his enemies. Compared to the hypocrites, scoundrels and crooks who surround him, the man himself looks almost virtuous.

Actually Assange is mostly a background presence here. He’s more talked about than talking up; a karmic victim of his own success. While even his supporters admit to his personal failings (arrogance, cruelty, bouts of megalomania), the film asks us to regard him as a messenger shot down by bigger, darker forces; a man whose only real crime was publishing inconvenient truths. The Swedish rape charge, it argues, was largely cooked up as a means of delivering him to the US authorities, so that they in turn could charge him with violating the Espionage Act. “Julian Assange is not an angel carved in marble,” says the NSA whistleblower Edward Snowden (no angel himself). “But he’s not a vial of poison either.”

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