Saiee M Manjrekar begins shooting for new romantic drama in Italy; official announcement expected soon

Saiee M Manjrekar has reportedly commenced work on yet another project, adding to her growing slate of films across multiple industries. The actress is currently in Italy, where she has begun shooting for what is being described as a romantic drama, although an official announcement regarding the film is still awaited. According to sources, Saiee has travelled to the picturesque European country to begin the first schedule of the yet-untitled project. The film is said to be helmed by a debutant director and is expected to be extensively shot across scenic locations in Italy, with the story unfolding against a summer backdrop. While the makers have remained tight-lipped about the project, the development has sparked curiosity among fans eager to know more about the actress' next outing. Details regarding the film's cast, title and production banner are currently under wraps, with an official announcement expected in the coming days. A source close to the development shared, ...

The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie

Cannes film festival
Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery

It needs hardly be said that the title is ironic. The abject non-hero of Kelly Reichardt’s engrossingly downbeat heist movie, set in 1970s Massachusetts, is weak, vain and utterly clueless. By the end, he’s a weirdly Updikean figure, though without the self-awareness: going on the run with no money and without a change of clothes, to escape from the grotesque mess he has made for himself and his family.

This is James, played with hangdog near-charm by Josh O’Connor; he is an art school dropout and would-be architectural designer with two young sons, married to Terri (a minor complaint is that the excellent Alana Haim is not given enough to do). James depends on the social standing of his father Bill, a judge, formidably played by Bill Camp, and is borrowing large sums of money from his patrician mother Sarah (Hope Davis), ostensibly to finance a new project.

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