Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie

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Cannes film festival
Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery

It needs hardly be said that the title is ironic. The abject non-hero of Kelly Reichardt’s engrossingly downbeat heist movie, set in 1970s Massachusetts, is weak, vain and utterly clueless. By the end, he’s a weirdly Updikean figure, though without the self-awareness: going on the run with no money and without a change of clothes, to escape from the grotesque mess he has made for himself and his family.

This is James, played with hangdog near-charm by Josh O’Connor; he is an art school dropout and would-be architectural designer with two young sons, married to Terri (a minor complaint is that the excellent Alana Haim is not given enough to do). James depends on the social standing of his father Bill, a judge, formidably played by Bill Camp, and is borrowing large sums of money from his patrician mother Sarah (Hope Davis), ostensibly to finance a new project.

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