Tiger Shroff and Vidyut Jammwal to star together in Milap Zaveri’s next action romance: Report

Bollywood action stars Tiger Shroff and Vidyut Jammwal are set to share screen space for the first time in director Milap Zaveri’s upcoming film, according to a recent report by PinkVilla. The project, which remains untitled, is shaping up as an action-romance and is expected to go on floors in February 2026. Sources familiar with the development say the film is designed to leverage the distinct on-screen personas of both actors, who are among Hindi cinema’s most physically commanding performers. The pairing of Shroff and Jammwal has generated significant interest among fans, as audiences have long anticipated seeing the two action stars together. According to the report, Kirti Shetty has been roped in as the female lead, marking another notable project in her growing filmography. “Kirti Shetty has been roped in as the female lead, which will mark another big Bollywood outing for her,” a source told the portal. “This film is designed as a full-fledged, intense action love story. The ...

The Love That Remains review – startling tragicomic portrait of a fractured family

Cannes film festival
Icelandic director Hlynur Pálmason examines a broken marriage through stunning imagery and quirky fantasy visions, but his new comic tone undermines the pain

Icelandic film-maker Hlynur Pálmason gave us the haunting historical drama Godland and the challenging and bizarre thriller A White, White Day; now he has changed things up with this startling, amusing, vaguely frustrating movie. The Love That Remains is a portrait of a fractured family and a sundered marriage which, with its dreamy piano score, fantasy visions and quirky sequences to go with the dead-serious scenes of purported emotional pain, introduces a slightly disconcerting but certainly intriguing new comic tone.

Pálmason’s visual and compositional sense is as commanding as ever, with some stunning imagery of the Icelandic landscape. But it is flavoured with a new tone of persistent, playful unseriousness, which finally morphs into a tragicomic spectacle of male loneliness. In some places this film doesn’t have the weight and the impact of his earlier work, but it’s certainly engaging.

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