EXCLUSIVE: Trailer of Kapil Sharma-starrer Kis Kisko Pyaar Karoon 2 to be launched in a GRAND event on November 26

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10 years ago, Kapil Sharma made a rocking debut in Hindi films with Kis Kisko Pyaar Karoon (2015). It surprised the trade and industry as it opened in double digits, at Rs. 10.15 crores. As a result, expectations are tremendous for its second part, titled Kis Kisko Pyaar Karoon 2. Bollywood Hungama has learned that the trailer will be launched in 2 days from now. A source told Bollywood Hungama, “The theatrical trailer of Kis Kisko Pyaar Karoon 2 will be unveiled on Wednesday, November 26, at a grand event in Mumbai. It will be graced by lead actor Kapil Sharma, Manjot Singh and his four heroines, namely, Warina Hussain, Ayesha Khan, Tridha Choudhury and Parul Gulati. Director Anukalp Goswami and producers Ratan Jain, Ganesh Jain and Abbas-Mustan are also expected to be present.” The source further said, “The makers are happy with the way Kis Kisko Pyaar Karoon 2 has shaped up and are excited to launch the trailer in a big way. Hence, they have decided to go all out for the event. Mo...
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The Love That Remains review – startling tragicomic portrait of a fractured family

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Cannes film festival
Icelandic director Hlynur Pálmason examines a broken marriage through stunning imagery and quirky fantasy visions, but his new comic tone undermines the pain

Icelandic film-maker Hlynur Pálmason gave us the haunting historical drama Godland and the challenging and bizarre thriller A White, White Day; now he has changed things up with this startling, amusing, vaguely frustrating movie. The Love That Remains is a portrait of a fractured family and a sundered marriage which, with its dreamy piano score, fantasy visions and quirky sequences to go with the dead-serious scenes of purported emotional pain, introduces a slightly disconcerting but certainly intriguing new comic tone.

Pálmason’s visual and compositional sense is as commanding as ever, with some stunning imagery of the Icelandic landscape. But it is flavoured with a new tone of persistent, playful unseriousness, which finally morphs into a tragicomic spectacle of male loneliness. In some places this film doesn’t have the weight and the impact of his earlier work, but it’s certainly engaging.

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