An Ordinary Case review – Daniel Auteuil directs and stars in tense Ruth Rendell-ish crime procedural

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A careworn husband is accused of murdering his wife in a story inspired by a real life case that dispenses with the genre’s familiar brutality Here is a fictionalised true crime drama, but one that is more stately and sedate than the garish procedural brutality of regular true crime. There is one gruesome crime-scene photo, but otherwise this could really have been based on something by Ruth Rendell. It is co-written and directed by its star Daniel Auteuil and the original French title is Le Fil (The Thread), after an incriminating thread of material found on the corpse – or perhaps it means the thread of logic behind a legal argument, the loose thread which, if pulled sufficiently, might cause the whole thing to collapse. The action is based on a case recounted by Jean-Yves Moyart , a criminal defence lawyer, who blogged under the name “Maître Mô” and who died in 2021. Grégory Gadebois plays Nicolas Milik (“Ahmed” in Moyart’s blog), a devoted, careworn husband to his alcoholic wife ...
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Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video

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Visually effective yet narratively meandering, the star’s moody psycho-thriller-cum-therapy-session is a missed opportunity

Regrets? The Weeknd has a few. In Hurry Up Tomorrow, a celluloid roman-à-clef pegged to his sixth studio album, the Grammy-winning multi-hyphenate puzzles through the consequences of hooking up with a deranged groupie who forces him to reckon with his rock star flings. But it’s viewers who will probably be feeling rueful over nearly two hours lost in the end.

Though technically a thriller, Tomorrow takes inspiration from a real-life moment of weakness: the Weeknd – born Abel Tesfaye – losing his voice while filming The Idol TV series in between a global stadium tour. As with most of his artistic efforts, the Weeknd makes the job of distinguishing his sincere reflections from his satirical self-observations impossibly hard on audiences and smirks when they don’t get the joke. Recall his dizzying Super Bowl half-time show and face-bandage stunt he pulled to promote the After Hours album.

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