Palestine Action documentary makers fear being criminalised under anti-terror laws

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Exclusive: Directors of To Kill a War Machine take legal advice as Home Office plans to proscribe protest group The makers of an award-winning documentary about Palestine Action say they fear they will be criminalised if they continue distributing the work after the group is banned under anti-terror laws. The online release of To Kill a War Machine was brought forward to this week after it emerged that the Home Office was going to proscribe the protest group, which takes direct action against Israeli arms companies in the UK. Continue reading... from Film | The Guardian https://ift.tt/HmaYpqL via IFTTT
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Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style

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Cannes film festival
Akira Kurosawa’s downbeat noir High and Low is retooled with Washington on magnificent form as a record producer whose godson is kidnapped by mistake

Spike Lee has made a brash, bold, big-city movie with this pulsing New York adventure that doubles as a love letter to NYC’s sports and its music. It is a remake (or maybe cover version) of Akira Kurosawa’s classic downbeat noir High and Low from 1963, transplanting the action from Yokohama to New York – or rather returning it there, because the original source material, Ed McBain’s novel King’s Ransom, is set in a fictional city based on the Big Apple.

It’s got a terrific throb of energy and life, moving across the screen with the rangy grace of its superstar Denzel Washington – though a little of the minor-key sombreness and complex pessimism and cynicism of the first film has been lost and the modern technology of GPS (unknown in Kurosawa’s day) has indirectly left it with a very small plausibility issue.

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