Rajkummar Rao to lead Maddock Films’ Prahaar – The Ujjwal Nikam Story; to release on August 7, 2026

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Producer Dinesh Vijan and actor Rajkummar Rao are set to collaborate once again for Prahaar – The Ujjwal Nikam Story, a new drama inspired by events that left a lasting impact on the nation. The film is scheduled to release in cinemas on August 7, 2026. Directed by Avinash Arun, the project will see Rajkummar Rao in the lead role. The cast also includes Wamiqa Gabbi, Sikander Kher, and Jaideep Ahlawat in pivotal roles. The film is being produced under the banner of Maddock Films. While the makers have kept plot details under wraps, the title indicates that the film will draw inspiration from the life and work of Ujjwal Nikam, one of India's most prominent public prosecutors. The announcement describes the film as a hard-hitting drama inspired by incidents that shaped public discourse and captured national attention. The project marks another chapter in the long-standing creative partnership between Rajkummar Rao and Maddock Films. Over the years, the actor has become one of the st...
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Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style

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Cannes film festival
Akira Kurosawa’s downbeat noir High and Low is retooled with Washington on magnificent form as a record producer whose godson is kidnapped by mistake

Spike Lee has made a brash, bold, big-city movie with this pulsing New York adventure that doubles as a love letter to NYC’s sports and its music. It is a remake (or maybe cover version) of Akira Kurosawa’s classic downbeat noir High and Low from 1963, transplanting the action from Yokohama to New York – or rather returning it there, because the original source material, Ed McBain’s novel King’s Ransom, is set in a fictional city based on the Big Apple.

It’s got a terrific throb of energy and life, moving across the screen with the rangy grace of its superstar Denzel Washington – though a little of the minor-key sombreness and complex pessimism and cynicism of the first film has been lost and the modern technology of GPS (unknown in Kurosawa’s day) has indirectly left it with a very small plausibility issue.

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