EXCLUSIVE: Trailer of Kapil Sharma-starrer Kis Kisko Pyaar Karoon 2 to be launched in a GRAND event on November 26

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10 years ago, Kapil Sharma made a rocking debut in Hindi films with Kis Kisko Pyaar Karoon (2015). It surprised the trade and industry as it opened in double digits, at Rs. 10.15 crores. As a result, expectations are tremendous for its second part, titled Kis Kisko Pyaar Karoon 2. Bollywood Hungama has learned that the trailer will be launched in 2 days from now. A source told Bollywood Hungama, “The theatrical trailer of Kis Kisko Pyaar Karoon 2 will be unveiled on Wednesday, November 26, at a grand event in Mumbai. It will be graced by lead actor Kapil Sharma, Manjot Singh and his four heroines, namely, Warina Hussain, Ayesha Khan, Tridha Choudhury and Parul Gulati. Director Anukalp Goswami and producers Ratan Jain, Ganesh Jain and Abbas-Mustan are also expected to be present.” The source further said, “The makers are happy with the way Kis Kisko Pyaar Karoon 2 has shaped up and are excited to launch the trailer in a big way. Hence, they have decided to go all out for the event. Mo...
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Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style

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Cannes film festival
Akira Kurosawa’s downbeat noir High and Low is retooled with Washington on magnificent form as a record producer whose godson is kidnapped by mistake

Spike Lee has made a brash, bold, big-city movie with this pulsing New York adventure that doubles as a love letter to NYC’s sports and its music. It is a remake (or maybe cover version) of Akira Kurosawa’s classic downbeat noir High and Low from 1963, transplanting the action from Yokohama to New York – or rather returning it there, because the original source material, Ed McBain’s novel King’s Ransom, is set in a fictional city based on the Big Apple.

It’s got a terrific throb of energy and life, moving across the screen with the rangy grace of its superstar Denzel Washington – though a little of the minor-key sombreness and complex pessimism and cynicism of the first film has been lost and the modern technology of GPS (unknown in Kurosawa’s day) has indirectly left it with a very small plausibility issue.

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