Ellen DeGeneres’ Oscars selfie: was this the moment pop culture shattered into a billion pieces?

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When DeGeneres posted her A-list snap at the 2014 Academy Awards, it made a splash. But it was probably the end of monoculture – and now we’re all alone in our TikTok bubbles Name: The Oscars selfie. Age: Once upon a time (2 March 2014, to be precise), at the Oscars, the actor Bradley Cooper, who was nominated for best supporting actor, took a selfie with the host, Ellen DeGeneres, and a whole load of A-listers … Continue reading... from Film | The Guardian https://ift.tt/LPvBx0O via IFTTT
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Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style

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Cannes film festival
Akira Kurosawa’s downbeat noir High and Low is retooled with Washington on magnificent form as a record producer whose godson is kidnapped by mistake

Spike Lee has made a brash, bold, big-city movie with this pulsing New York adventure that doubles as a love letter to NYC’s sports and its music. It is a remake (or maybe cover version) of Akira Kurosawa’s classic downbeat noir High and Low from 1963, transplanting the action from Yokohama to New York – or rather returning it there, because the original source material, Ed McBain’s novel King’s Ransom, is set in a fictional city based on the Big Apple.

It’s got a terrific throb of energy and life, moving across the screen with the rangy grace of its superstar Denzel Washington – though a little of the minor-key sombreness and complex pessimism and cynicism of the first film has been lost and the modern technology of GPS (unknown in Kurosawa’s day) has indirectly left it with a very small plausibility issue.

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