Netflix unveils Operation Safed Sagar at Sekhon Indian Air Force Marathon 2025, honoring IAF’s daring Kargil mission

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The spirit of India soared high as Netflix unveiled its upcoming series, Operation Safed Sagar —an ambitious retelling of the Indian Air Force’s pivotal role in the Kargil War — at the first-ever Sekhon Indian Air Force Marathon 2025 (SIM-25) in New Delhi. Created by Abhijeet Singh Parmar and Kushal Srivastava and directed by Oni Sen, the series is headlined by Siddharth, Jimmy Shergill, Abhay Verma, Mihir Ahuja, Taaruk Raina, and Arnav Bhasin, among others. The marathon, held at Jawaharlal Nehru Stadium, New Delhi, brought together serving officers, veterans, dignitaries, including Air Chief Marshal AP Singh- Chief of the Airstaff, members of the press, and thousands of civilians united in pride for the Indian Air Force. Amid an atmosphere charged with patriotism, Netflix India’s VP of Content, Monika Shergill, and Series Head, Tanya Bami, unveiled the teaser of what promises to be Netflix’s biggest Indian series of 2026. Produced by Matchbox Shots and Feel Good Films, and created w...
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Eddington review - Ari Aster’s tedious Covid western masks drama and mutes his stars

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Cannes film festival
Joaquin Phoenix, Pedro Pascal, Emma Stone and Austin Butler have little to work with in this disappointing dud from the Hereditary and Midsommar director

Ari Aster now worryingly creates a losing streak with this bafflingly dull movie, a laborious and weirdly self-important satire which makes a heavy, flavourless meal of some uninteresting and unoriginal thoughts – on the Covid lockdown, online conspiracy theories, social polarisation, Black Lives Matter, liberal-white privilege and guns.

The movie looks good, courtesy of Darius Khondji’s cinematography, but has nothing new or dramatically vital to say, and moreover manages the extraordinary achievement of making Emma Stone, Pedro Pascal and Joaquin Phoenix look like boring actors. This is by virtue of its moderate script and by the unvarying stolid pace over its hefty running time which might have suited a 12-episode streamer.

Eddington is a fictional small town in New Mexico in the US, bordering Native American territory; we join the story as the Covid lockdown begins (though Trump is oddly unmentioned in all the news programmes and viral TikToks everyone’s watching) and Mayor Ted Garcia (Pedro Pascal) and Sheriff Joe Cross (Joaquin Phoenix) are at loggerheads – interestingly taking opposite sides to their counterparts in Spielberg’s Jaws on the personal liberty issue.

Here, the mayor insists on restrictive mask-wearing and Sheriff Cross refuses to wear his and is resentful of the mayor supporting construction plans for a giant new “online server farm” – gobbling up resources and symbolically sowing discord via the internet – and this complicates existing tensions.

The mayor once had emotional history with Cross’s wife Louise (Emma Stone) who now suffers from hysteria and depression and whose mother Dawn (Deirdre O’Connell), now uncomfortably “bubbled up” with them in the family home, is a querulous conspiracy theorist and social media addict – although the problem of how to make these particular things funny or interesting is one the film never solves.

Garcia’s insufferable teen son Eric (Matt Gomez Hidaka) is dating social justice warrior Sarah (Amélie Hoeferle) who is cartoonishly convulsed with guilt at her white privilege and at having dumped Michael (Micheal Ward) because he is now a cop, working for Sheriff Cross, and a gun enthusiast – though he is a person of colour.

The atmosphere of feverish resentment and wholesale offence-taking worsens with the George Floyd outrage and Louise and her mom take an interest in charismatic cult leader Vernon Jefferson Peak (Austin Butler) who has recovered memories of child abuse and encourages his followers to do the same.

So Sheriff Cross fights back against everything by running for mayor himself and winds up encouraging the townsfolk to get their guns ready for the coming showdown.

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