The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Tinā review – a feelgood choir drama that follows a winning formula

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A huge hit in Aotearoa New Zealand, this film follows a teacher who transforms an elite private school with music, played beautifully by Anapela Polataivao

Ah yes: the inspirational high school movie! This formula is an oldie but a goodie: a thinking-outside-the-box teacher profoundly inspires their students while restoring something broken inside themselves. Such narratives view education as a “school of life” in which everybody – irrespective of age and circumstance – is always in a state of learning and growing. The teacher’s unconventional methods are inevitably questioned; various triumphs and tragedies ensue. And in musically themed productions such as the Aotearoa New Zealand drama Tinā, momentum builds towards a rousing final performance.

Tonally, Miki Magasiva’s film is less School of Rock than Mr Holland’s Opus: middle-of-the-road stylistically and not so much tugging the heartstrings as giving them a right royal yank. There’s no ambiguity in his script, which puts its emotional messages in floodlights and drops the kind of lines that’d make some screenwriters blush – like “teaching is about more than just education” and “the longest journey always begins with the first step”.

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