Animol review – gritty young offenders drama challenges conventional machismo

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Institutional menace and an idealistic take on redemption sit side-by-side in Top Boy actor Ashley Walters’ empathic and occasionally over-earnest film The lawless brutality of a young offender institution is the setting for this British movie written by Marching Powder ’s Nick Love and directed by Ashley Walters. It’s a place where terrified newbies realise they can survive only by abandoning their innocence and decency, and submitting to the gang authority of a psycho top G, naturally involving a horrible loyalty test. This is a place where drugs arrive by drone, where facially tattooed men meet each other’s gaze with a cool opaque challenge in the canteen, and where the cues and balls on the recreation area’s pool table have only one purpose: to give someone a three-month stay in the hospital wing while underpaid guards in lanyards and ill-fitting v-neck jumpers look the other way. Continue reading... from Film | The Guardian https://ift.tt/CLu4l65 via IFTTT
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Tinā review – a feelgood choir drama that follows a winning formula

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A huge hit in Aotearoa New Zealand, this film follows a teacher who transforms an elite private school with music, played beautifully by Anapela Polataivao

Ah yes: the inspirational high school movie! This formula is an oldie but a goodie: a thinking-outside-the-box teacher profoundly inspires their students while restoring something broken inside themselves. Such narratives view education as a “school of life” in which everybody – irrespective of age and circumstance – is always in a state of learning and growing. The teacher’s unconventional methods are inevitably questioned; various triumphs and tragedies ensue. And in musically themed productions such as the Aotearoa New Zealand drama Tinā, momentum builds towards a rousing final performance.

Tonally, Miki Magasiva’s film is less School of Rock than Mr Holland’s Opus: middle-of-the-road stylistically and not so much tugging the heartstrings as giving them a right royal yank. There’s no ambiguity in his script, which puts its emotional messages in floodlights and drops the kind of lines that’d make some screenwriters blush – like “teaching is about more than just education” and “the longest journey always begins with the first step”.

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