‘We couldn’t tell if he was conscious’: Tom Cruise got stuck on top of biplane shooting Mission: Impossible sequel

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The star, who at 62 performed his own stunts for the forthcoming Final Reckoning, tells Cannes press conference ‘I don’t mind encountering the unknown’ Tom Cruise got stuck on the wing of a biplane shortly before it ran out fuel during the filming of Mission: Impossible – The Final Reckoning, the director of the eighth instalment of the action franchise has revealed. Speaking to an audience at the Cannes film festival hours before the film’s premiere, director Christopher McQuarrie recounted the filming of a stunt sequence in which Cruise, in his long-running role as the field agent Ethan Hunt, walked between between the two wings of a biplane as the aircraft was mid-air over South Africa. Continue reading... from Film | The Guardian https://ift.tt/pOBI39Q via IFTTT
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Neirud review – a mysterious family relationship that unravels Brazil’s complex social fabric

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Film-maker Fernanda Faya weaves together a loving homage to her circus performer grandmother and her elusive companion

Buried secrets bubble to the surface in Brazilian film-maker Fernanda Faya’s tender and searching documentary, which seeks to disentangle the hidden knots of her fascinating family tree. The film opens with lovingly recorded home videos of various gatherings, including her childhood birthday celebrations, the only time of the year when her paternal grandmother, Nelly, would visit. A formidable woman of Roma ancestry, Nelly came from a long line of skilled circus performers, an illustrious ancestry that ended when Faya’s father did not join the family business.

One particular aspect long eluded Faya: Nelly was always seen with woman called Neirud, whom Faya called aunt, but their actual relationship was a mystery; when Neirud died, her house was emptied of all personal photos and keepsakes. Through meticulous research, Faya gradually uncovered Neirud’s story. A Black woman of towering build, she performed as a wrestler in Nelly’s circus troupe as the “gorilla woman”, a moniker that clearly traded in racial stereotypes. And yet, as with many of her peers, life as a travelling entertainer gave her a degree of freedom not afforded to other women of the time.

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