20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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Neirud review – a mysterious family relationship that unravels Brazil’s complex social fabric

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Film-maker Fernanda Faya weaves together a loving homage to her circus performer grandmother and her elusive companion

Buried secrets bubble to the surface in Brazilian film-maker Fernanda Faya’s tender and searching documentary, which seeks to disentangle the hidden knots of her fascinating family tree. The film opens with lovingly recorded home videos of various gatherings, including her childhood birthday celebrations, the only time of the year when her paternal grandmother, Nelly, would visit. A formidable woman of Roma ancestry, Nelly came from a long line of skilled circus performers, an illustrious ancestry that ended when Faya’s father did not join the family business.

One particular aspect long eluded Faya: Nelly was always seen with woman called Neirud, whom Faya called aunt, but their actual relationship was a mystery; when Neirud died, her house was emptied of all personal photos and keepsakes. Through meticulous research, Faya gradually uncovered Neirud’s story. A Black woman of towering build, she performed as a wrestler in Nelly’s circus troupe as the “gorilla woman”, a moniker that clearly traded in racial stereotypes. And yet, as with many of her peers, life as a travelling entertainer gave her a degree of freedom not afforded to other women of the time.

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