Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

Neirud review – a mysterious family relationship that unravels Brazil’s complex social fabric

Film-maker Fernanda Faya weaves together a loving homage to her circus performer grandmother and her elusive companion

Buried secrets bubble to the surface in Brazilian film-maker Fernanda Faya’s tender and searching documentary, which seeks to disentangle the hidden knots of her fascinating family tree. The film opens with lovingly recorded home videos of various gatherings, including her childhood birthday celebrations, the only time of the year when her paternal grandmother, Nelly, would visit. A formidable woman of Roma ancestry, Nelly came from a long line of skilled circus performers, an illustrious ancestry that ended when Faya’s father did not join the family business.

One particular aspect long eluded Faya: Nelly was always seen with woman called Neirud, whom Faya called aunt, but their actual relationship was a mystery; when Neirud died, her house was emptied of all personal photos and keepsakes. Through meticulous research, Faya gradually uncovered Neirud’s story. A Black woman of towering build, she performed as a wrestler in Nelly’s circus troupe as the “gorilla woman”, a moniker that clearly traded in racial stereotypes. And yet, as with many of her peers, life as a travelling entertainer gave her a degree of freedom not afforded to other women of the time.

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