Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Neirud review – a mysterious family relationship that unravels Brazil’s complex social fabric

Film-maker Fernanda Faya weaves together a loving homage to her circus performer grandmother and her elusive companion

Buried secrets bubble to the surface in Brazilian film-maker Fernanda Faya’s tender and searching documentary, which seeks to disentangle the hidden knots of her fascinating family tree. The film opens with lovingly recorded home videos of various gatherings, including her childhood birthday celebrations, the only time of the year when her paternal grandmother, Nelly, would visit. A formidable woman of Roma ancestry, Nelly came from a long line of skilled circus performers, an illustrious ancestry that ended when Faya’s father did not join the family business.

One particular aspect long eluded Faya: Nelly was always seen with woman called Neirud, whom Faya called aunt, but their actual relationship was a mystery; when Neirud died, her house was emptied of all personal photos and keepsakes. Through meticulous research, Faya gradually uncovered Neirud’s story. A Black woman of towering build, she performed as a wrestler in Nelly’s circus troupe as the “gorilla woman”, a moniker that clearly traded in racial stereotypes. And yet, as with many of her peers, life as a travelling entertainer gave her a degree of freedom not afforded to other women of the time.

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