20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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Havoc review – Tom Hardy’s gonzo gun mayhem misses the point

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Disillusioned cop Hardy must rescue a corrupt politician’s son from triads and police but potential for drama goes down in a hail of bullets

The title is appropriate. Welsh director Gareth Evans is the action maestro who rocked our world with his superb skull-rattling thrillers The Raid and The Raid 2; this new one for Netflix certainly has its fair share of OTT gonzo mayhem. Shootouts in cramped interiors and in the open air sometimes seem to go on so long that the gunfire feels like an extended drumroll. Dozens of people get riddled with bullets from automatic weaponry; they all go into that shoulder-rolling, arm-waving, blood-spurting choreography. At one stage, a comatose and heavily bandaged person in a hospital bed gets the same machine gun treatment, and even this poor guy has to jitterbug, infinitesimally and horizontally, in his hospital pyjamas as he gets filled full of lead.

But frankly the action and the violence is too chaotic and almost meaningless and the CGI-Gotham-type cityscape where the drama takes place feels too artificial to me. (The film was actually shot in Cardiff.) Tom Hardy, doing his wheezy-nasal and faintly Cagney tough guy voice, plays Walker, a disillusioned but basically decent cop, who has found himself coerced into doing dirty work for corrupt politician Lawrence Beaumont, played by Forest Whitaker.

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