20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...

Delhi HC orders AR Rahman to deposit Rs 2 crores in copyright case over Ponniyin Selvan 2 song 

The Delhi High Court has directed renowned music composer AR Rahman and production company Madras Talkies to deposit Rs 2 crores with the court registry in a copyright infringement case. The ruling, delivered on 25 April, also directed them to pay Rs. 2 lakh costs to Dagar. The case centres on the song ‘Veera Raja Veera’ from the 2023 film Ponniyin Selvan 2, which has been accused of copying an earlier composition.

The lawsuit was filed by Indian classical vocalist and Padma Shri awardee Faiyaz Wasifuddin Dagar in 2023. Dagar alleged that ‘Veera Raja Veera’ infringed on Shiva Stuti, a composition by his father, Nasir Faiyazuddin Dagar, and uncle, Zahiruddin Dagar, known collectively as the Junior Dagar Brothers. He sought a permanent injunction to prevent the song’s use, along with damages and recognition of moral rights.

Justice Prathiba M Singh, presiding over the case, observed that Shiva Stuti did not merely inspire ‘Veera Raja Veera’ but was “identical” to it, despite minor changes. Dagar argued that the song’s taal, beat, and musical structure mirrored Shiva Stuti, even though the lyrics differed. In contrast, AR Rahman contended that Shiva Stuti is a traditional composition in the public domain within the Dhrupad genre of Hindustani classical music. He further claimed that ‘Veera Raja Veera’ was an original work, incorporating Western musical elements with 227 distinct layers.

The court’s interim order requires Rahman and Madras Talkies to deposit Rs 2 crores while the case is ongoing. Additionally, after initially failing to do so, the defendants were instructed to update the song credits on online platforms to acknowledge the Junior Dagar Brothers.

Also Read: Imtiaz Ali reveals how Kashmiri girls mistook AR Rahman for an electrician: “These girls came to sing chorus and asked who the music director was” 



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