Animol review – gritty young offenders drama challenges conventional machismo

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Institutional menace and an idealistic take on redemption sit side-by-side in Top Boy actor Ashley Walters’ empathic and occasionally over-earnest film The lawless brutality of a young offender institution is the setting for this British movie written by Marching Powder ’s Nick Love and directed by Ashley Walters. It’s a place where terrified newbies realise they can survive only by abandoning their innocence and decency, and submitting to the gang authority of a psycho top G, naturally involving a horrible loyalty test. This is a place where drugs arrive by drone, where facially tattooed men meet each other’s gaze with a cool opaque challenge in the canteen, and where the cues and balls on the recreation area’s pool table have only one purpose: to give someone a three-month stay in the hospital wing while underpaid guards in lanyards and ill-fitting v-neck jumpers look the other way. Continue reading... from Film | The Guardian https://ift.tt/CLu4l65 via IFTTT
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Delhi HC orders AR Rahman to deposit Rs 2 crores in copyright case over Ponniyin Selvan 2 song 

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The Delhi High Court has directed renowned music composer AR Rahman and production company Madras Talkies to deposit Rs 2 crores with the court registry in a copyright infringement case. The ruling, delivered on 25 April, also directed them to pay Rs. 2 lakh costs to Dagar. The case centres on the song ‘Veera Raja Veera’ from the 2023 film Ponniyin Selvan 2, which has been accused of copying an earlier composition.

The lawsuit was filed by Indian classical vocalist and Padma Shri awardee Faiyaz Wasifuddin Dagar in 2023. Dagar alleged that ‘Veera Raja Veera’ infringed on Shiva Stuti, a composition by his father, Nasir Faiyazuddin Dagar, and uncle, Zahiruddin Dagar, known collectively as the Junior Dagar Brothers. He sought a permanent injunction to prevent the song’s use, along with damages and recognition of moral rights.

Justice Prathiba M Singh, presiding over the case, observed that Shiva Stuti did not merely inspire ‘Veera Raja Veera’ but was “identical” to it, despite minor changes. Dagar argued that the song’s taal, beat, and musical structure mirrored Shiva Stuti, even though the lyrics differed. In contrast, AR Rahman contended that Shiva Stuti is a traditional composition in the public domain within the Dhrupad genre of Hindustani classical music. He further claimed that ‘Veera Raja Veera’ was an original work, incorporating Western musical elements with 227 distinct layers.

The court’s interim order requires Rahman and Madras Talkies to deposit Rs 2 crores while the case is ongoing. Additionally, after initially failing to do so, the defendants were instructed to update the song credits on online platforms to acknowledge the Junior Dagar Brothers.

Also Read: Imtiaz Ali reveals how Kashmiri girls mistook AR Rahman for an electrician: “These girls came to sing chorus and asked who the music director was” 



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