The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Delhi HC orders AR Rahman to deposit Rs 2 crores in copyright case over Ponniyin Selvan 2 song 

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The Delhi High Court has directed renowned music composer AR Rahman and production company Madras Talkies to deposit Rs 2 crores with the court registry in a copyright infringement case. The ruling, delivered on 25 April, also directed them to pay Rs. 2 lakh costs to Dagar. The case centres on the song ‘Veera Raja Veera’ from the 2023 film Ponniyin Selvan 2, which has been accused of copying an earlier composition.

The lawsuit was filed by Indian classical vocalist and Padma Shri awardee Faiyaz Wasifuddin Dagar in 2023. Dagar alleged that ‘Veera Raja Veera’ infringed on Shiva Stuti, a composition by his father, Nasir Faiyazuddin Dagar, and uncle, Zahiruddin Dagar, known collectively as the Junior Dagar Brothers. He sought a permanent injunction to prevent the song’s use, along with damages and recognition of moral rights.

Justice Prathiba M Singh, presiding over the case, observed that Shiva Stuti did not merely inspire ‘Veera Raja Veera’ but was “identical” to it, despite minor changes. Dagar argued that the song’s taal, beat, and musical structure mirrored Shiva Stuti, even though the lyrics differed. In contrast, AR Rahman contended that Shiva Stuti is a traditional composition in the public domain within the Dhrupad genre of Hindustani classical music. He further claimed that ‘Veera Raja Veera’ was an original work, incorporating Western musical elements with 227 distinct layers.

The court’s interim order requires Rahman and Madras Talkies to deposit Rs 2 crores while the case is ongoing. Additionally, after initially failing to do so, the defendants were instructed to update the song credits on online platforms to acknowledge the Junior Dagar Brothers.

Also Read: Imtiaz Ali reveals how Kashmiri girls mistook AR Rahman for an electrician: “These girls came to sing chorus and asked who the music director was” 



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