Animol review – gritty young offenders drama challenges conventional machismo

Institutional menace and an idealistic take on redemption sit side-by-side in Top Boy actor Ashley Walters’ empathic and occasionally over-earnest film The lawless brutality of a young offender institution is the setting for this British movie written by Marching Powder ’s Nick Love and directed by Ashley Walters. It’s a place where terrified newbies realise they can survive only by abandoning their innocence and decency, and submitting to the gang authority of a psycho top G, naturally involving a horrible loyalty test. This is a place where drugs arrive by drone, where facially tattooed men meet each other’s gaze with a cool opaque challenge in the canteen, and where the cues and balls on the recreation area’s pool table have only one purpose: to give someone a three-month stay in the hospital wing while underpaid guards in lanyards and ill-fitting v-neck jumpers look the other way. Continue reading... from Film | The Guardian https://ift.tt/CLu4l65 via IFTTT

Conclave viewership rose 283% on day of Pope Francis’s death

Ralph Fiennes was Oscar-nominated for his role in the thriller which follows cardinals wrangling to replace a fictional pontiff after his death

The death of Pope Francis on 21 April led to an abrupt uptick in viewership of Conclave, Edward Berger’s thriller which depicts the events following the death of a fictional pope, and the cardinals wrangling to replace him.

The film, which won best picture at the Baftas earlier this year and was nominated for eight Oscars, is available on assorted streaming platforms worldwide. According to Luminate, which tracks streaming viewership, Conclave was viewed for about 1.8m minutes on 20 April, and 6.9m minutes the next day – an increase of 283%.

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