Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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Sooraj Barjatya reveals his golden rules while making films: "No villains, just circumstances; and exactly 14 punches!"

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Sooraj Barjatya had an interesting conversation with Mayank Shekhar of Mid-Day, during which he spoke about his films, his journey and also that of his production house, Rajshri Productions, started by his grandfather, Tarachand Barjatya. The films of Sooraj and also his recently released maiden web series, Bada Naam Karenge, don’t have a villain. Action also needs to be minimal, if required. Sooraj Barjatya spoke about this and also that his family follows a rule book: There can't be a (conventional) villain, and the number of punches cannot exceed 14!

Sooraj Barjatya revealed, “My father (Rajkumar Barjatya) and grandfather knew that the villain is a must. But it's best if the villain can be a circumstance so that we don’t have too much violence. In Hum Aapke Hain Koun (1994), the death of the bhabhi is a circumstance. In Maine Pyar Kiya (1987), bechare ke note bheeg jaate hai. That is the circumstance. In Uunchai (2022), the protagonists want to climb the mountain and, in their case, age is a circumstance.”

As for the 14-punches rule, Sooraj said, “You know how action directors are? They can go on and on (laughs). They’ll be like ‘Aise maarenge’. They’ll go on and on until you stop them from fighting. Hence, we came up with this idea that ’14 punches ka fight chahiye; bas itna hi maarenge’!”

He further explained, “The idea was that the families should be able to see the film together. That used to be the core. At times, we have gone out and broken these rules. Somehow, they have not worked, and we keep coming up. The films that have worked for us are the ones that have stuck to these values.”

Sooraj Barjatya also spoke in-depth about making Main Prem Ki Diwani Hoon (2003) and how its underperformance brought him back to his roots.

Also Read: Pushpa-level business in 1948? Sooraj Barjatya says his grandfather Tarachand Barjatya released the first Pan-India blockbuster, Chandralekha: “It was the Baahubali of those times”



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