A Gangster’s Life review – funny in parts, but not always deliberately

-
Despite some interesting visuals, not even Tony Cook and Jonny Weldon can lift this poorly produced tale of a pair of dodgy lads hiding in Greece from a gangster Here is an odd film about a couple of dodgy lads who get on the wrong side of a bona fide gangster and have to hide out in Greece. It’s not thoughtless per se; rather, it lacks the resources to bring its vision successfully to screen. Its quirks are sometimes appealing and sometimes amateurish and, while a mixture of influences swirl about, from Bond to Kingsman to Guy Ritchie and even Mission: Impossible, the film-makers don’t have the necessary budget, meaning that it feels at times like a TikTok parody of more expensive films. It is a shame, because there are some interesting visual ideas that go beyond route one filming. Example: a goon beating a man tied to a chair on a crispy manicured lawn is filmed in a lovely wide shot, with a guy in the far distance calmly clipping the hedge. But it’s the post-production that is th...
Post a Comment

Sooraj Barjatya reveals his golden rules while making films: "No villains, just circumstances; and exactly 14 punches!"

-

Sooraj Barjatya had an interesting conversation with Mayank Shekhar of Mid-Day, during which he spoke about his films, his journey and also that of his production house, Rajshri Productions, started by his grandfather, Tarachand Barjatya. The films of Sooraj and also his recently released maiden web series, Bada Naam Karenge, don’t have a villain. Action also needs to be minimal, if required. Sooraj Barjatya spoke about this and also that his family follows a rule book: There can't be a (conventional) villain, and the number of punches cannot exceed 14!

Sooraj Barjatya revealed, “My father (Rajkumar Barjatya) and grandfather knew that the villain is a must. But it's best if the villain can be a circumstance so that we don’t have too much violence. In Hum Aapke Hain Koun (1994), the death of the bhabhi is a circumstance. In Maine Pyar Kiya (1987), bechare ke note bheeg jaate hai. That is the circumstance. In Uunchai (2022), the protagonists want to climb the mountain and, in their case, age is a circumstance.”

As for the 14-punches rule, Sooraj said, “You know how action directors are? They can go on and on (laughs). They’ll be like ‘Aise maarenge’. They’ll go on and on until you stop them from fighting. Hence, we came up with this idea that ’14 punches ka fight chahiye; bas itna hi maarenge’!”

He further explained, “The idea was that the families should be able to see the film together. That used to be the core. At times, we have gone out and broken these rules. Somehow, they have not worked, and we keep coming up. The films that have worked for us are the ones that have stuck to these values.”

Sooraj Barjatya also spoke in-depth about making Main Prem Ki Diwani Hoon (2003) and how its underperformance brought him back to his roots.

Also Read: Pushpa-level business in 1948? Sooraj Barjatya says his grandfather Tarachand Barjatya released the first Pan-India blockbuster, Chandralekha: “It was the Baahubali of those times”



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/LiImrC6
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more