The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers

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Zendaya and Robert Pattinson’s dark dramedy is a stylish acting showcase, but does it do justice to its weighty themes? Ever since its first trailer dropped – and, on certain corners of Reddit, even before that – the internet has been abuzz with speculation over just what goes down in The Drama . The auteur production powerhouse A24 somewhat ingeniously pitched writer-director Kristoffer Borgli’s pitch-black film as a tart romantic comedy, with Zendaya and Robert Pattinson as a seemingly happy couple derailed by a disturbing revelation a week before their wedding. The actors, among a cohort of vanishingly few young movie stars, appeared as their characters in a fake wedding announcement in the Boston Globe; Zendaya’s rumored marriage to actor Tom Holland became a meta discussion point on a press tour that saw her method dressing in “something old, something new, something borrowed, something blue”, her wardrobe slowly darkening in a nod to something gone horribly awry. The Norwegi...
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Sooraj Barjatya reveals his golden rules while making films: "No villains, just circumstances; and exactly 14 punches!"

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Sooraj Barjatya had an interesting conversation with Mayank Shekhar of Mid-Day, during which he spoke about his films, his journey and also that of his production house, Rajshri Productions, started by his grandfather, Tarachand Barjatya. The films of Sooraj and also his recently released maiden web series, Bada Naam Karenge, don’t have a villain. Action also needs to be minimal, if required. Sooraj Barjatya spoke about this and also that his family follows a rule book: There can't be a (conventional) villain, and the number of punches cannot exceed 14!

Sooraj Barjatya revealed, “My father (Rajkumar Barjatya) and grandfather knew that the villain is a must. But it's best if the villain can be a circumstance so that we don’t have too much violence. In Hum Aapke Hain Koun (1994), the death of the bhabhi is a circumstance. In Maine Pyar Kiya (1987), bechare ke note bheeg jaate hai. That is the circumstance. In Uunchai (2022), the protagonists want to climb the mountain and, in their case, age is a circumstance.”

As for the 14-punches rule, Sooraj said, “You know how action directors are? They can go on and on (laughs). They’ll be like ‘Aise maarenge’. They’ll go on and on until you stop them from fighting. Hence, we came up with this idea that ’14 punches ka fight chahiye; bas itna hi maarenge’!”

He further explained, “The idea was that the families should be able to see the film together. That used to be the core. At times, we have gone out and broken these rules. Somehow, they have not worked, and we keep coming up. The films that have worked for us are the ones that have stuck to these values.”

Sooraj Barjatya also spoke in-depth about making Main Prem Ki Diwani Hoon (2003) and how its underperformance brought him back to his roots.

Also Read: Pushpa-level business in 1948? Sooraj Barjatya says his grandfather Tarachand Barjatya released the first Pan-India blockbuster, Chandralekha: “It was the Baahubali of those times”



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