Saiyaara vs Ye Re Ye Re Paisa 3: Yash Raj Films and Dharma Productions CLASH for the first time ever; limited shows of Mohit Suri-directorial in Gaiety-Galaxy raises eyebrows

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Aditya Chopra’s Yash Raj Films (YRF) and Karan Johar’s Dharma Productions have been two of the most respected production houses of Indian Cinema and have always been each other’s support. Karan Johar started his career with Aditya Chopra; for a long time, YRF distributed films of Dharma and hence, their bond goes back a long way. Hence, both banners have never released their film on the same day. As a result, July 18, 2025, is a landmark date for films backed by these banners, which will be clashing in cinemas for the first time ever. Saiyaara, produced by Yash Raj Films, will be released on July 18. Meanwhile, the Marathi comic caper, Ye Re Ye Re Paisa 3, also arrives in theatres on the same day. The film is presented by Karan Johar, Adar Poonawalla and Apoorva Mehta of Dharma Productions and is also distributing it worldwide. In fact, the Marathi film has given a tough fight to the Mohit Suri-directorial in some areas, though Saiyaara has an upper hand in terms of the advance booki...
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Going to Mars: The Nikki Giovanni Project review – electric film about radical thinker and poet

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Featuring interviews and archive footage of the brilliant civil rights activist, the readings of her poems will have the hairs on the back of your neck standing up

Nikki Giovanni, bestselling American poet and civil rights activist, blazed on to the scene in the 1960s. In this documentary, completed before she died in December, we watch Giovanni in her late 70s, reigning over sold-out public appearances. On stage she recites poems about love, race and gender and in between, with the timing of a standup comedian, she has the auditorium erupting in whoops and laughter. Posing for selfies, a woman tells Giovanni she named her daughter after her; another says she wrote to her on the verge of dropping out of college. “You wrote back. I’m a teacher now!”

In archive footage, Giovanni as a young woman, reads her 1968 poem Nikki-Rosa, which has a line about how white people fail to understand the lives of black people: “they’ll probably talk about my hard childhood / and never understand that / all the while I was quite happy”. Giovanni was born in Knoxville, Tennessee, during segregation and, after witnessing domestic violence at home, she went to live with her grandparents. Speaking in a radio interview she is blunt: “Either I was going to kill him” – she’s talking about her father – “or I was going to move.”

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