Saiyami Kher and Vikram Phadnis talk about Pal Bhar Ke Liye premiering at IFFM 2026

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Saiyami Kher and filmmaker Vikram Phadnis are set to take their upcoming film Pal Bhar Ke Liye to the international stage, with the movie scheduled to have its World Premiere at the Indian Film Festival of Melbourne (IFFM) 2026. The film features an ensemble cast comprising Ishwak Singh, Tahir Raj Bhasin, and Viineet Kumar Siingh in pivotal roles alongside Saiyami. The premiere marks an important milestone for the cast and crew as Pal Bhar Ke Liye begins its festival journey at one of the most prominent international platforms dedicated to Indian cinema. The Indian Film Festival of Melbourne has long been known for showcasing diverse and acclaimed films, making it a significant venue for the film's global debut. For Saiyami Kher, the premiere also marks a return to IFFM after her previous appearance with Ghoomer, which opened the 2023 edition of the festival. Reflecting on her association with the festival and the upcoming premiere, the actress shared her excitement. "IFFM ha...
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Black Cab review – Nick Frost on outstanding form in creepy taxi-driving Brit horror

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Though the narrative goes the long way round, there are plenty of strong performances and good ideas to keep this journey interesting

Although this British horror flick gets a little muddy in strictly narrative terms with its tricky shifts in viewpoint, it’s rich enough in ideas and strong performances as well as running a blessedly crisp 88 minutes, that any flaws are easily forgiven. The story starts with Anne (Synnove Karlsen, outstanding in a demanding yet slightly underwritten role) waking from a frightening dream and going to join her boyfriend Patrick (Luke Norris) for dinner with another couple, Ryan (George Bukhari) and Jessica (Tessa Parr). The snappy banter between the foursome, which instantly and economically establishes that Patrick is an outright asshole who doesn’t deserve quiet, circumspect Anne, suddenly chills when it’s revealed the two are engaged. Jessica, for one, doesn’t approve, for reasons only revealed later.

Nevertheless, Anne and Patrick depart in the titular vehicle, driven by excessively chatty Ian (Nick Frost, also on exceptional form, and credited with contributing additional material to the script). En route, even more awkward revelations tumble out. From here on in, the film is essentially a two-and-a-half-hander, the story carried by Anne and Ian’s conversation, mostly conducted amid glances in the rear-view mirror as Ian drives, especially after Patrick loses consciousness.

Black Cab is on digital platforms from 7 April.

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