Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

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Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...
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Black Cab review – Nick Frost on outstanding form in creepy taxi-driving Brit horror

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Though the narrative goes the long way round, there are plenty of strong performances and good ideas to keep this journey interesting

Although this British horror flick gets a little muddy in strictly narrative terms with its tricky shifts in viewpoint, it’s rich enough in ideas and strong performances as well as running a blessedly crisp 88 minutes, that any flaws are easily forgiven. The story starts with Anne (Synnove Karlsen, outstanding in a demanding yet slightly underwritten role) waking from a frightening dream and going to join her boyfriend Patrick (Luke Norris) for dinner with another couple, Ryan (George Bukhari) and Jessica (Tessa Parr). The snappy banter between the foursome, which instantly and economically establishes that Patrick is an outright asshole who doesn’t deserve quiet, circumspect Anne, suddenly chills when it’s revealed the two are engaged. Jessica, for one, doesn’t approve, for reasons only revealed later.

Nevertheless, Anne and Patrick depart in the titular vehicle, driven by excessively chatty Ian (Nick Frost, also on exceptional form, and credited with contributing additional material to the script). En route, even more awkward revelations tumble out. From here on in, the film is essentially a two-and-a-half-hander, the story carried by Anne and Ian’s conversation, mostly conducted amid glances in the rear-view mirror as Ian drives, especially after Patrick loses consciousness.

Black Cab is on digital platforms from 7 April.

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