Saiyaara vs Ye Re Ye Re Paisa 3: Yash Raj Films and Dharma Productions CLASH for the first time ever; limited shows of Mohit Suri-directorial in Gaiety-Galaxy raises eyebrows

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Aditya Chopra’s Yash Raj Films (YRF) and Karan Johar’s Dharma Productions have been two of the most respected production houses of Indian Cinema and have always been each other’s support. Karan Johar started his career with Aditya Chopra; for a long time, YRF distributed films of Dharma and hence, their bond goes back a long way. Hence, both banners have never released their film on the same day. As a result, July 18, 2025, is a landmark date for films backed by these banners, which will be clashing in cinemas for the first time ever. Saiyaara, produced by Yash Raj Films, will be released on July 18. Meanwhile, the Marathi comic caper, Ye Re Ye Re Paisa 3, also arrives in theatres on the same day. The film is presented by Karan Johar, Adar Poonawalla and Apoorva Mehta of Dharma Productions and is also distributing it worldwide. In fact, the Marathi film has given a tough fight to the Mohit Suri-directorial in some areas, though Saiyaara has an upper hand in terms of the advance booki...
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Black Cab review – Nick Frost on outstanding form in creepy taxi-driving Brit horror

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Though the narrative goes the long way round, there are plenty of strong performances and good ideas to keep this journey interesting

Although this British horror flick gets a little muddy in strictly narrative terms with its tricky shifts in viewpoint, it’s rich enough in ideas and strong performances as well as running a blessedly crisp 88 minutes, that any flaws are easily forgiven. The story starts with Anne (Synnove Karlsen, outstanding in a demanding yet slightly underwritten role) waking from a frightening dream and going to join her boyfriend Patrick (Luke Norris) for dinner with another couple, Ryan (George Bukhari) and Jessica (Tessa Parr). The snappy banter between the foursome, which instantly and economically establishes that Patrick is an outright asshole who doesn’t deserve quiet, circumspect Anne, suddenly chills when it’s revealed the two are engaged. Jessica, for one, doesn’t approve, for reasons only revealed later.

Nevertheless, Anne and Patrick depart in the titular vehicle, driven by excessively chatty Ian (Nick Frost, also on exceptional form, and credited with contributing additional material to the script). En route, even more awkward revelations tumble out. From here on in, the film is essentially a two-and-a-half-hander, the story carried by Anne and Ian’s conversation, mostly conducted amid glances in the rear-view mirror as Ian drives, especially after Patrick loses consciousness.

Black Cab is on digital platforms from 7 April.

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