EXCLUSIVE: Here's why Sujoy Ghosh and his daughter Diya Annapurna Ghosh have been thanked in Kajol-starrer Maa: "Diya was bowled over by the fact that Ajay Devgn…"

The mythological-horror film Maa was released today, June 27, and it has caught attention due to the genre, trailer, concept and association of Kajol. The film begins with the mention of Sujoy Ghosh and his director-daughter Diya Annapurna Ghosh under ‘Special Thanks’. It's sure to make a lot of people curious about the same as Sujoy is not associated with the project in any capacity. This writer, too, was very curious and reached out exclusively to Sujoy Ghosh to understand the reason behind his and Diya’s mention. Sujoy, who is currently in London, explained, “My daughter Diya held the rights to the title ‘Maa’. She wanted to make a film with that title. One day, Ajay called me and expressed the desire to have the title for his film. I asked Diya about it. She agreed to part with the title. Her script is still under development and it’ll take time before her film can go on floors. On the other hand, Ajay and his team were all set to roll. Hence, we decided to live and let l...

Black Cab review – Nick Frost on outstanding form in creepy taxi-driving Brit horror

Though the narrative goes the long way round, there are plenty of strong performances and good ideas to keep this journey interesting

Although this British horror flick gets a little muddy in strictly narrative terms with its tricky shifts in viewpoint, it’s rich enough in ideas and strong performances as well as running a blessedly crisp 88 minutes, that any flaws are easily forgiven. The story starts with Anne (Synnove Karlsen, outstanding in a demanding yet slightly underwritten role) waking from a frightening dream and going to join her boyfriend Patrick (Luke Norris) for dinner with another couple, Ryan (George Bukhari) and Jessica (Tessa Parr). The snappy banter between the foursome, which instantly and economically establishes that Patrick is an outright asshole who doesn’t deserve quiet, circumspect Anne, suddenly chills when it’s revealed the two are engaged. Jessica, for one, doesn’t approve, for reasons only revealed later.

Nevertheless, Anne and Patrick depart in the titular vehicle, driven by excessively chatty Ian (Nick Frost, also on exceptional form, and credited with contributing additional material to the script). En route, even more awkward revelations tumble out. From here on in, the film is essentially a two-and-a-half-hander, the story carried by Anne and Ian’s conversation, mostly conducted amid glances in the rear-view mirror as Ian drives, especially after Patrick loses consciousness.

Black Cab is on digital platforms from 7 April.

Continue reading...

from Film | The Guardian https://ift.tt/q3odEKe
via IFTTT

Comments

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

EXCLUSIVE: Mona Singh gears up for an intense role in an upcoming web series; Deets inside!