Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

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Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...
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A Touch of Love review – Margaret Drabble’s single-mother drama is a vivid 60s time capsule

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This Drabble adaptation about a PhD student who gets pregnant is kitchen-sinky but without humour or even awareness. It’s an interesting curio

Waris Hussein’s earnest 1969 movie, adapted by Margaret Drabble from her own novel The Millstone, is a London-set drama about a young woman who has difficulties with men while researching a PhD in English literature – and as a result we get some tremendously nostalgic shots of the British Museum round reading room, when it was still a working library. American star Sandy Dennis puts on a stage-school English accent to play Rosamund, the graduate student who has well-to-do but insufferable bien pensant liberal parents, the kind of people who, as she explains to someone, “let the charlady sit down to dine with us, that kind of nonsense”.

Rosamund finds herself alone in her parents’ London flat while they are away doing good works in Africa and she exchanges brittle, knowing dialogue with chaps who take her out on dates: Joe (Michael Coles) and Roger (John Standing). However, she is only attracted to an oddly camp television newsreader called George, played with bizarre twinkly eyed condescension by Ian McKellen. (The 60s setting and the air of sexual loucheness put me in mind of McKellen’s performance as John Profumo in Michael Caton-Jones’s Scandal.) Rosamond loses her virginity in a single, unsatisfactory sexual encounter with George; she gets pregnant and resolves to keep the baby despite objections from family, friends and nurses.

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