Bombay High Court dismisses PIL seeking change in Raja Shivaji’s title

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The Bombay High Court has dismissed a public interest litigation (PIL) that sought a stay on the theatrical release of the Marathi-Hindi bilingual film Raja Shivaji, clearing the way for the movie’s scheduled release on May 1, 2026. The petition had objected to the omission of the honorific “Chhatrapati” from the film’s title and claimed it was disrespectful to the legacy of Chhatrapati Shivaji Maharaj. The plea was filed by NGO Sree Chhatrapati Shivaji Maharaj Foundation, which argued that leaving out the title “Chhatrapati” hurt the sentiments of followers of the iconic Maratha ruler. The petitioner requested the court to direct the makers to rename the film Chhatrapati Raja Shivaji and also sought restrictions on the release, screening, and public exhibition of the movie until changes were made. A division bench led by Chief Justice Shree Chandrashekhar and Justice Gautam Ankhad rejected the petition, observing that the matter did not involve any real public cause. The court also n...
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A Touch of Love review – Margaret Drabble’s single-mother drama is a vivid 60s time capsule

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This Drabble adaptation about a PhD student who gets pregnant is kitchen-sinky but without humour or even awareness. It’s an interesting curio

Waris Hussein’s earnest 1969 movie, adapted by Margaret Drabble from her own novel The Millstone, is a London-set drama about a young woman who has difficulties with men while researching a PhD in English literature – and as a result we get some tremendously nostalgic shots of the British Museum round reading room, when it was still a working library. American star Sandy Dennis puts on a stage-school English accent to play Rosamund, the graduate student who has well-to-do but insufferable bien pensant liberal parents, the kind of people who, as she explains to someone, “let the charlady sit down to dine with us, that kind of nonsense”.

Rosamund finds herself alone in her parents’ London flat while they are away doing good works in Africa and she exchanges brittle, knowing dialogue with chaps who take her out on dates: Joe (Michael Coles) and Roger (John Standing). However, she is only attracted to an oddly camp television newsreader called George, played with bizarre twinkly eyed condescension by Ian McKellen. (The 60s setting and the air of sexual loucheness put me in mind of McKellen’s performance as John Profumo in Michael Caton-Jones’s Scandal.) Rosamond loses her virginity in a single, unsatisfactory sexual encounter with George; she gets pregnant and resolves to keep the baby despite objections from family, friends and nurses.

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