The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Women achieve gender parity with men in US big screen lead roles for first time

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Two studies find the top-grossing films of 2024 were led by female protagonists as much as by men, buoyed by the success of Wicked and The Substance

Women achieved gender parity on the big screen in 2024 for the first time in the US, according to two new studies.

Out of the 100 top-grossing films of last year, women led 42% of the films, the same percentage as their male counterparts, with 16% led by ensembles. This was according to Dr Martha Lauzen’s annual It’s a Man’s (Celluloid) World report. Lauzen said that 2024 “offered one of the richest slates of films featuring female protagonists in recent memory”.

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