Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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This is the year the Oscars found God – but can they keep the faith?

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From Conclave to The Brutalist to A Real Pain, films about religion are unusually well represented at the Academy Awards – some with decidedly unorthodox themes
• Warning: contains spoilers

What Tony Blair’s former spin doctor Alastair Campbell said of New Labour – “We don’t do God” – applies also to the Academy Awards. The secular gong-dispensing rite annually sweeps religion off its proverbial red carpet. The last best picture winner to deal with the subject was 2015’s Spotlight, which hardly proselytised for organised religion – it dramatised the Boston Globe’s investigation into sexual abuse in the Catholic church. You have to go back to 1973 to find a movie with a priestly protagonist that really beguiled the Academy: William Friedkin’s horror movie The Exorcist received 10 Oscar nominations, winning awards for screenplay and sound.

This year, though, may be different. Two leading contenders, The Brutalist (10 nominations) and Conclave (eight), put faith front and centre. And let’s not forget the perversely charming Holocaust road-trip movie, A Real Pain, shortlisted for best original screenplay and best supporting actor, for Kieran Culkin. If not exactly a meditation on Judaism, Jesse Eisenberg’s film is a beguilingly thoughtful musing on Jewish identity from a self-consciously privileged actor-director whose ancestors survived the Holocaust. A Real Pain serves as a reflection on transgenerational trauma and the meaning of religion after Nazi genocide.

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