Ramayana trailer postponed as Sony Pictures comes on board for global release outside India; Namit Malhotra calls it historic moment

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Prime Focus Studios has announced a landmark partnership with Sony Pictures Entertainment, which will distribute Ramayana across international markets outside India. The announcement marks a significant milestone for the ambitious mythological epic, even as the makers confirmed that the film's much-awaited trailer launch has been postponed to a later date. Producer Namit Malhotra shared the update through a detailed note on social media, revealing that the global partnership prompted the decision to reschedule the trailer launch. “Today is a very special moment for our "Ramayana", my dream of taking Ramayana to the world is now a reality with our partnership with Sony Pictures Entertainment. In light of the above we will be launching our trailer now globally at a later date. In over 100+ years of Indian Cinema this will become a moment of great pride where Ramayana will be shown to the entire world like any major global Hollywood film. This is special as it opens the doo...
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The Witcher: Sirens of the Deep review – gore flows in bloody animated mer-western

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Lovejoyish dude with magical powers wanders into a seaside kingdom where merpeople and regular humans are at loggerheads

This animated feature is part of the larger Witcher fantasy franchise which started with short stories by Polish writer Andrzej Sapkowski and has evolved to survive on all manner of platforms, from video games and comics to live-action TV series and films. Thanks to the wealth of wiki knowledge out there, you can get the gist pretty quickly. There’s a dude with magical powers, fearsome pectorals (and the platinum hair of a Finnish metal band lead singer) named the Witcher, AKA Geralt (voiced here by Doug Cockle); he wanders around a medieval-ish countryside battling monsters, partly for hire and partly out of the goodness of his own gruff heart. He’s like a ronin or a knight or TV-show amateur detective of the Lovejoy vintage, but with a sword. Geralt’s wisecracking sidekick Jaskier (Joey Batey) is cowardly and comical, and plays a lute-like instrument on which he performs ballads celebrating Geralt’s heroics. We also meet (mostly in flashback) Geralt’s on-off romantic partner Yennefer (Anya Chalotra) who can visit his dreams in order to flirt with him, but she’s less of a big deal here than in other Witcher products.

Instead, Geralt and Jaskier wash up in a seaside kingdom where merpeople and regular humans are at loggerheads because the humans keep decimating the oyster beds in search of pearls. Shockingly, they don’t make use of the oysters as food, which depletes food sources for the various fantasy animals the merpeople feel are their buddies because they all live in the sea together. It’s the equivalent of a post-colonial western where the merfolk are the Native Americans and the humans are rapacious land-grabbing whites. But the script also threads in a star-crossed lovers’ story involving a mer-princess and a dopey human prince which plays out like a blend of Romeo and Juliet and The Little Mermaid. Plus, because no gen-Z skewed animation would be complete without a trans subtext, there’s a bit of that too at the end.

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