The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...

Licence to kill: could a James Bond horror emerge when book copyrights expire?

Character and plots of Ian Fleming’s original literary works become open for public use in most countries in 2035

Amazon may have captured James Bond, paying billions to get creative control of the super spy, but a clock is now ticking that means 007 – or at least a version of him – could escape into the wider world in a decade’s time.

The character and plots of the original literary works by creator Ian Fleming become open for public use in most countries in 2035, raising the prospect of Bond starring in rival film and TV stories of espionage, comedy or even horror.

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