The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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Licence to kill: could a James Bond horror emerge when book copyrights expire?

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Character and plots of Ian Fleming’s original literary works become open for public use in most countries in 2035

Amazon may have captured James Bond, paying billions to get creative control of the super spy, but a clock is now ticking that means 007 – or at least a version of him – could escape into the wider world in a decade’s time.

The character and plots of the original literary works by creator Ian Fleming become open for public use in most countries in 2035, raising the prospect of Bond starring in rival film and TV stories of espionage, comedy or even horror.

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