The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Last Breath review – thrilling underwater survival drama

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Woody Harrelson and Simu Liu star in a terrifyingly well-constructed adaptation of a documentary about a nightmarish accident

It does not take much to convince that, as an opening title card for Last Breath states, the job of a saturation diver is one of the most dangerous on earth. The facts, also summarily listed in the survival thriller’s introduction, speak for themselves: thousands of miles of pipeline traverse the ocean, dependent on human divers to maintain them; said divers spend days in pressurized chambers to reach depths of more than 1,000ft (300 meters), in near-freezing darkness. It may as well be outer space, as the fiancee of one diver bluntly but correctly puts it.

Thankfully, Last Breath, Alex Parkinson’s feature film adaptation of his 2019 documentary of the same name, lets the divers’ work – a maze of levers, pulleys, gas valves, imposing machines and the human capacity to detach from existential risk – largely speak for itself as well. And luckily for viewers, such work, baffling to anyone with a reasonable relationship with adrenaline, is fascinating even if nothing goes awry.

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