The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Last Breath review – thrilling underwater survival drama

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Woody Harrelson and Simu Liu star in a terrifyingly well-constructed adaptation of a documentary about a nightmarish accident

It does not take much to convince that, as an opening title card for Last Breath states, the job of a saturation diver is one of the most dangerous on earth. The facts, also summarily listed in the survival thriller’s introduction, speak for themselves: thousands of miles of pipeline traverse the ocean, dependent on human divers to maintain them; said divers spend days in pressurized chambers to reach depths of more than 1,000ft (300 meters), in near-freezing darkness. It may as well be outer space, as the fiancee of one diver bluntly but correctly puts it.

Thankfully, Last Breath, Alex Parkinson’s feature film adaptation of his 2019 documentary of the same name, lets the divers’ work – a maze of levers, pulleys, gas valves, imposing machines and the human capacity to detach from existential risk – largely speak for itself as well. And luckily for viewers, such work, baffling to anyone with a reasonable relationship with adrenaline, is fascinating even if nothing goes awry.

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