John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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Last Breath review – thrilling underwater survival drama

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Woody Harrelson and Simu Liu star in a terrifyingly well-constructed adaptation of a documentary about a nightmarish accident

It does not take much to convince that, as an opening title card for Last Breath states, the job of a saturation diver is one of the most dangerous on earth. The facts, also summarily listed in the survival thriller’s introduction, speak for themselves: thousands of miles of pipeline traverse the ocean, dependent on human divers to maintain them; said divers spend days in pressurized chambers to reach depths of more than 1,000ft (300 meters), in near-freezing darkness. It may as well be outer space, as the fiancee of one diver bluntly but correctly puts it.

Thankfully, Last Breath, Alex Parkinson’s feature film adaptation of his 2019 documentary of the same name, lets the divers’ work – a maze of levers, pulleys, gas valves, imposing machines and the human capacity to detach from existential risk – largely speak for itself as well. And luckily for viewers, such work, baffling to anyone with a reasonable relationship with adrenaline, is fascinating even if nothing goes awry.

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