Ramayana trailer postponed as Sony Pictures comes on board for global release outside India; Namit Malhotra calls it historic moment

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Prime Focus Studios has announced a landmark partnership with Sony Pictures Entertainment, which will distribute Ramayana across international markets outside India. The announcement marks a significant milestone for the ambitious mythological epic, even as the makers confirmed that the film's much-awaited trailer launch has been postponed to a later date. Producer Namit Malhotra shared the update through a detailed note on social media, revealing that the global partnership prompted the decision to reschedule the trailer launch. “Today is a very special moment for our "Ramayana", my dream of taking Ramayana to the world is now a reality with our partnership with Sony Pictures Entertainment. In light of the above we will be launching our trailer now globally at a later date. In over 100+ years of Indian Cinema this will become a moment of great pride where Ramayana will be shown to the entire world like any major global Hollywood film. This is special as it opens the doo...
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Johatsu review – poignant account of Japan’s ‘voluntarily disappeared’

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Melancholy documentary follows the owner of a ‘night moving’ business in Japan, helping people abandon their own lives

‘Johatsu” means evaporation in Japanese, and is used to refer to those people who choose to disappear, severing all ties with their past lives and their families. It became a phenomenon in Japan in the 1960s, and intensified during the 1990s as the country struggled with a debt crisis. While some plot their departures on their own, others call on the services of “night movers”: companies that help people vanish without trace.

Following the owner of one such business named Saita, Andreas Hartmann’s and Arata Mori’s poignant documentary surveys the circumstances that drive people to desperate measures. Unfolding like a suspense thriller, the opening sees a man hurriedly get inside Saita’s van, his voice trembling with fear. Unable to cope with a possessive partner, he finally manages to flee. Interviews with Saita’s other clients reveal that, besides financial catastrophes, domestic abuse is often a catalyst for escape. At the same time, the reasons for a disappearance are not always clear-cut, and the film not only lends an ear to the “evaporated” but is also sympathetic to the abandoned, who are left with gnawing questions and no answers.

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