Ikkis starring Dharmendra, Agastya Nanda and Jaideep Ahlawat to hit theatres on December 25

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Filmmaker Sriram Raghavan's highly anticipated war drama, Ikkis, has completed filming and is now officially slated for a theatrical release on December 25, 2025. Produced by Dinesh Vijan under his banner Maddock Films, the movie is a biographical tribute to Second Lieutenant Arun Khetarpal, India's youngest recipient of the Param Vir Chakra, who was martyred during the 1971 Indo-Pak war. The film, whose title Ikkis alludes to Khetarpal's age at the time of his sacrifice, stars Agastya Nanda in his big-screen debut as the young war hero. Veteran actor Dharmendra plays a pivotal emotional role as Arun Khetarpal's father, and the cast also features Jaideep Ahlawat and Sikandar Kher in key roles. Ikkis marks a significant departure for National Award-winning director Sriram Raghavan, known for his mastery of noir thrillers and crime dramas like Andhadhun and Badlapur. Raghavan described the project as a welcome break from his us...
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Johatsu review – poignant account of Japan’s ‘voluntarily disappeared’

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Melancholy documentary follows the owner of a ‘night moving’ business in Japan, helping people abandon their own lives

‘Johatsu” means evaporation in Japanese, and is used to refer to those people who choose to disappear, severing all ties with their past lives and their families. It became a phenomenon in Japan in the 1960s, and intensified during the 1990s as the country struggled with a debt crisis. While some plot their departures on their own, others call on the services of “night movers”: companies that help people vanish without trace.

Following the owner of one such business named Saita, Andreas Hartmann’s and Arata Mori’s poignant documentary surveys the circumstances that drive people to desperate measures. Unfolding like a suspense thriller, the opening sees a man hurriedly get inside Saita’s van, his voice trembling with fear. Unable to cope with a possessive partner, he finally manages to flee. Interviews with Saita’s other clients reveal that, besides financial catastrophes, domestic abuse is often a catalyst for escape. At the same time, the reasons for a disappearance are not always clear-cut, and the film not only lends an ear to the “evaporated” but is also sympathetic to the abandoned, who are left with gnawing questions and no answers.

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