I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

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Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT
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Geneviève Page obituary

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Beguiling French actor who appeared in films such as Belle de Jour and El Cid, but whose true love was the stage

Screen and stage were not equal suitors for the affections of the French actor Geneviève Page, who once described working in cinema as a case of coitus interruptus. “You start a scene, you rehearse it, you’re ready. Then they do the sound and lighting. There comes a moment when you’ve got to charge in. And then: ‘Cut!’ It annoyed me each time,” Page told France Culture in 2009. “Whereas when you arrive in your theatre dressing room in the evening, you know it’ll start soon and you’ll see it through right to the end.”

Page, who has died aged 97, built a heavyweight theatre portfolio over more than five decades; she played roles such as Hermione in Euripides’s Andromache, Ibsen’s Hedda Gabler and the Fassbinder heroine Petra von Kant. But her film career had a stuttering rhythm, with the French industry never truly finding a place for her. Her melodramatic ardour and throaty timbre were not a natural fit in demure starlet roles; with her long neck and upwardly canted nose, her beauty had a certain haughtiness.

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