‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza

Fatma Hassouna used poetry and photography to record the death and devastation she saw daily. Was she targeted by the IDF? We speak to the director of Put Your Soul on Your Hand and Walk, a film about the journalist Israel has sought to pursue its campaign of annihilation against Gaza and its people behind closed doors. More than 170 Palestinian journalists have been killed so far, and no outside reporters or cameras are allowed in. The effects of this policy of concealment – which the Guardian managed to pierce this week with a shocking aerial photograph that made the front page – are to ensure that the outside world only catches sight of Gaza’s horrors in small fragments, and to stifle empathy for those trapped inside by hiding them from view, obscuring their humanity. But a new documentary film, Put Your Soul on Your Hand and Walk, seeks to open a window to the unfathomable suffering inside Gaza. Continue reading... from Film | The Guardian https://ift.tt/OQNX6g1 via IFTTT

Geneviève Page obituary

Beguiling French actor who appeared in films such as Belle de Jour and El Cid, but whose true love was the stage

Screen and stage were not equal suitors for the affections of the French actor Geneviève Page, who once described working in cinema as a case of coitus interruptus. “You start a scene, you rehearse it, you’re ready. Then they do the sound and lighting. There comes a moment when you’ve got to charge in. And then: ‘Cut!’ It annoyed me each time,” Page told France Culture in 2009. “Whereas when you arrive in your theatre dressing room in the evening, you know it’ll start soon and you’ll see it through right to the end.”

Page, who has died aged 97, built a heavyweight theatre portfolio over more than five decades; she played roles such as Hermione in Euripides’s Andromache, Ibsen’s Hedda Gabler and the Fassbinder heroine Petra von Kant. But her film career had a stuttering rhythm, with the French industry never truly finding a place for her. Her melodramatic ardour and throaty timbre were not a natural fit in demure starlet roles; with her long neck and upwardly canted nose, her beauty had a certain haughtiness.

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