The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Geneviève Page obituary

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Beguiling French actor who appeared in films such as Belle de Jour and El Cid, but whose true love was the stage

Screen and stage were not equal suitors for the affections of the French actor Geneviève Page, who once described working in cinema as a case of coitus interruptus. “You start a scene, you rehearse it, you’re ready. Then they do the sound and lighting. There comes a moment when you’ve got to charge in. And then: ‘Cut!’ It annoyed me each time,” Page told France Culture in 2009. “Whereas when you arrive in your theatre dressing room in the evening, you know it’ll start soon and you’ll see it through right to the end.”

Page, who has died aged 97, built a heavyweight theatre portfolio over more than five decades; she played roles such as Hermione in Euripides’s Andromache, Ibsen’s Hedda Gabler and the Fassbinder heroine Petra von Kant. But her film career had a stuttering rhythm, with the French industry never truly finding a place for her. Her melodramatic ardour and throaty timbre were not a natural fit in demure starlet roles; with her long neck and upwardly canted nose, her beauty had a certain haughtiness.

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