The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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Geneviève Page obituary

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Beguiling French actor who appeared in films such as Belle de Jour and El Cid, but whose true love was the stage

Screen and stage were not equal suitors for the affections of the French actor Geneviève Page, who once described working in cinema as a case of coitus interruptus. “You start a scene, you rehearse it, you’re ready. Then they do the sound and lighting. There comes a moment when you’ve got to charge in. And then: ‘Cut!’ It annoyed me each time,” Page told France Culture in 2009. “Whereas when you arrive in your theatre dressing room in the evening, you know it’ll start soon and you’ll see it through right to the end.”

Page, who has died aged 97, built a heavyweight theatre portfolio over more than five decades; she played roles such as Hermione in Euripides’s Andromache, Ibsen’s Hedda Gabler and the Fassbinder heroine Petra von Kant. But her film career had a stuttering rhythm, with the French industry never truly finding a place for her. Her melodramatic ardour and throaty timbre were not a natural fit in demure starlet roles; with her long neck and upwardly canted nose, her beauty had a certain haughtiness.

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