Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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Dreams review – Jessica Chastain channels rich Americans whose charity comes with strings

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The erotic reward for Chastain’s sponsorship of a Mexican dancer lights a fuse that reveals philanthropy’s toxic underside

Mexican director Michel Franco returns with a chilly, angrily intense and deeply pessimistic tale of erotic obsession among the liberal super-rich in Trump’s US who seek to launder and redeem their guilt by sponsoring the arts. It’s a really involving picture which beckons you hypnotically towards the tacit promise of a sensationally unhappy and violent denouement, and of course Franco is unlikely to deliver any other kind. The two final plot developments are shocking, if not precisely surprising, and in fact vulnerable to the charge of being crudely obvious – but Franco certainly gives us a gripping emotional drama, supercharged with toxic sensuality and fear.

Jessica Chastain plays Jennifer McCarthy, a wealthy woman based in San Francisco extensively accustomed to high-end restaurants, couture, private planes and chauffeur-driven SUVs and Franco has an eye for the luxury-porn scenarios familiar from TV dramas such as Succession and The White Lotus, though with a more dyspeptic and fearful edge.

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