John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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Dreams review – Jessica Chastain channels rich Americans whose charity comes with strings

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The erotic reward for Chastain’s sponsorship of a Mexican dancer lights a fuse that reveals philanthropy’s toxic underside

Mexican director Michel Franco returns with a chilly, angrily intense and deeply pessimistic tale of erotic obsession among the liberal super-rich in Trump’s US who seek to launder and redeem their guilt by sponsoring the arts. It’s a really involving picture which beckons you hypnotically towards the tacit promise of a sensationally unhappy and violent denouement, and of course Franco is unlikely to deliver any other kind. The two final plot developments are shocking, if not precisely surprising, and in fact vulnerable to the charge of being crudely obvious – but Franco certainly gives us a gripping emotional drama, supercharged with toxic sensuality and fear.

Jessica Chastain plays Jennifer McCarthy, a wealthy woman based in San Francisco extensively accustomed to high-end restaurants, couture, private planes and chauffeur-driven SUVs and Franco has an eye for the luxury-porn scenarios familiar from TV dramas such as Succession and The White Lotus, though with a more dyspeptic and fearful edge.

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