Ramayana trailer postponed as Sony Pictures comes on board for global release outside India; Namit Malhotra calls it historic moment

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Prime Focus Studios has announced a landmark partnership with Sony Pictures Entertainment, which will distribute Ramayana across international markets outside India. The announcement marks a significant milestone for the ambitious mythological epic, even as the makers confirmed that the film's much-awaited trailer launch has been postponed to a later date. Producer Namit Malhotra shared the update through a detailed note on social media, revealing that the global partnership prompted the decision to reschedule the trailer launch. “Today is a very special moment for our "Ramayana", my dream of taking Ramayana to the world is now a reality with our partnership with Sony Pictures Entertainment. In light of the above we will be launching our trailer now globally at a later date. In over 100+ years of Indian Cinema this will become a moment of great pride where Ramayana will be shown to the entire world like any major global Hollywood film. This is special as it opens the doo...
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Chang’an review – animated Chinese tale of poet-warriors is spectacular work of art

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The historic capital of China is rendered in gloriously intricate detail, but this animated feature feels like a state-sponsored history lesson

The first thing you need to know about this animated feature from China is that it is 168 minutes long, or two hours and 48 minutes. That’s a lot of time to spend watching a story about Chinese poet/warriors from the eighth century, celebrated via a screenplay that’s dense with historical incident drawn from the subjects’ biographies. If you know nothing about this period of history, which unfolds during the Tang dynasty, you’ll certainly learn a lot, but you’ll need to pay close attention to the welter of journeys to far-flung provinces, battles fought in mountain passes, and characters of note met along the way.

The two main characters are governor and general Gao Shi (voiced as a young man by Yang Tianxiang, as an elder by Wu Junquan) and poet Li Bai (Ling Zhenhe and then Xuan Xiaoming). The latter was considered one of the greatest poets in Chinese history, and the film honours him and his work by featuring dozens of his poems, often declaimed lustily by the character in various states of inebriation (he was a legendary drinker). Gao Shi was also a poet of some note apparently, but the film makes it clear he was not in Li Bai’s league. Instead, Gao Shi gets to basically narrate the story of his and Li Bai’s entwined lives in one long flashback, told to a visiting luminary over the course of a single night before a decisive battle. (Surely the storytelling could wait so that the elderly Gao Shi could have a good sleep before the fight?)

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