The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

Chang’an review – animated Chinese tale of poet-warriors is spectacular work of art

The historic capital of China is rendered in gloriously intricate detail, but this animated feature feels like a state-sponsored history lesson

The first thing you need to know about this animated feature from China is that it is 168 minutes long, or two hours and 48 minutes. That’s a lot of time to spend watching a story about Chinese poet/warriors from the eighth century, celebrated via a screenplay that’s dense with historical incident drawn from the subjects’ biographies. If you know nothing about this period of history, which unfolds during the Tang dynasty, you’ll certainly learn a lot, but you’ll need to pay close attention to the welter of journeys to far-flung provinces, battles fought in mountain passes, and characters of note met along the way.

The two main characters are governor and general Gao Shi (voiced as a young man by Yang Tianxiang, as an elder by Wu Junquan) and poet Li Bai (Ling Zhenhe and then Xuan Xiaoming). The latter was considered one of the greatest poets in Chinese history, and the film honours him and his work by featuring dozens of his poems, often declaimed lustily by the character in various states of inebriation (he was a legendary drinker). Gao Shi was also a poet of some note apparently, but the film makes it clear he was not in Li Bai’s league. Instead, Gao Shi gets to basically narrate the story of his and Li Bai’s entwined lives in one long flashback, told to a visiting luminary over the course of a single night before a decisive battle. (Surely the storytelling could wait so that the elderly Gao Shi could have a good sleep before the fight?)

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