Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...

Chang’an review – animated Chinese tale of poet-warriors is spectacular work of art

The historic capital of China is rendered in gloriously intricate detail, but this animated feature feels like a state-sponsored history lesson

The first thing you need to know about this animated feature from China is that it is 168 minutes long, or two hours and 48 minutes. That’s a lot of time to spend watching a story about Chinese poet/warriors from the eighth century, celebrated via a screenplay that’s dense with historical incident drawn from the subjects’ biographies. If you know nothing about this period of history, which unfolds during the Tang dynasty, you’ll certainly learn a lot, but you’ll need to pay close attention to the welter of journeys to far-flung provinces, battles fought in mountain passes, and characters of note met along the way.

The two main characters are governor and general Gao Shi (voiced as a young man by Yang Tianxiang, as an elder by Wu Junquan) and poet Li Bai (Ling Zhenhe and then Xuan Xiaoming). The latter was considered one of the greatest poets in Chinese history, and the film honours him and his work by featuring dozens of his poems, often declaimed lustily by the character in various states of inebriation (he was a legendary drinker). Gao Shi was also a poet of some note apparently, but the film makes it clear he was not in Li Bai’s league. Instead, Gao Shi gets to basically narrate the story of his and Li Bai’s entwined lives in one long flashback, told to a visiting luminary over the course of a single night before a decisive battle. (Surely the storytelling could wait so that the elderly Gao Shi could have a good sleep before the fight?)

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