The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...

Bridget Jones 4 records highest-ever opening for a romcom in the UK

Latest film in the series starring Renée Zellweger has posted record-breaking figures on its home turf

Bridget Jones: Mad About the Boy has exceeded expectations at the UK box office, becoming the best-performing romcom in the UK on opening weekend ever.

The fourth instalment in the adventures of Helen Fielding’s bumbling diarist made $14.9m (£11.8m) over its four-day opening weekend, beating all three previous instalments, the second of which, Edge of Reason, was the previous record-holder with $8.1m.

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