The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Bridget Jones 4 records highest-ever opening for a romcom in the UK

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Latest film in the series starring Renée Zellweger has posted record-breaking figures on its home turf

Bridget Jones: Mad About the Boy has exceeded expectations at the UK box office, becoming the best-performing romcom in the UK on opening weekend ever.

The fourth instalment in the adventures of Helen Fielding’s bumbling diarist made $14.9m (£11.8m) over its four-day opening weekend, beating all three previous instalments, the second of which, Edge of Reason, was the previous record-holder with $8.1m.

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