The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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Baftas 2025: how to watch, predictions and timetable

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The 78th British Film Academy awards are heading our way tonight – here’s what you need to know about the big night at the Royal Festival Hall

With each passing year the attention paid to the Bafta film awards turns up a notch, as campaigns jostle and reposition themselves in the quest for the real prize: an Academy Award. The Oscar race is pretty open this year, even more so after the Emilia Pérez debacle, but with its British centre of gravity and slightly differing nominations list, the Baftas have their own dynamic. Hence the Baftas can sometimes seem to be a fairground-mirror reflection of the American contest, or (looked at the other way) an assertion of a similar but separate cultural identity.

The most obvious example of this is the strong showing for Belfast rap comedy Kneecap, which could walk off with a fistful of Baftas, but failed to even get on the Academy nomination sheet. Hard Truths star Marianne Jean-Baptiste is the other big Oscar casualty, but she is in with a major shout for best actress here. And in a wider sense, the current Oscar frontrunners – The Brutalist, Anora, A Complete Unknown – may not resonate quite so strongly with British voters, so expect Conclave, a (largely) domestic effort, to put up a significant fight and follow through on its nominations lead.

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