The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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Baftas 2025: how to watch, predictions and timetable

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The 78th British Film Academy awards are heading our way tonight – here’s what you need to know about the big night at the Royal Festival Hall

With each passing year the attention paid to the Bafta film awards turns up a notch, as campaigns jostle and reposition themselves in the quest for the real prize: an Academy Award. The Oscar race is pretty open this year, even more so after the Emilia Pérez debacle, but with its British centre of gravity and slightly differing nominations list, the Baftas have their own dynamic. Hence the Baftas can sometimes seem to be a fairground-mirror reflection of the American contest, or (looked at the other way) an assertion of a similar but separate cultural identity.

The most obvious example of this is the strong showing for Belfast rap comedy Kneecap, which could walk off with a fistful of Baftas, but failed to even get on the Academy nomination sheet. Hard Truths star Marianne Jean-Baptiste is the other big Oscar casualty, but she is in with a major shout for best actress here. And in a wider sense, the current Oscar frontrunners – The Brutalist, Anora, A Complete Unknown – may not resonate quite so strongly with British voters, so expect Conclave, a (largely) domestic effort, to put up a significant fight and follow through on its nominations lead.

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