John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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Baftas 2025: how to watch, predictions and timetable

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The 78th British Film Academy awards are heading our way tonight – here’s what you need to know about the big night at the Royal Festival Hall

With each passing year the attention paid to the Bafta film awards turns up a notch, as campaigns jostle and reposition themselves in the quest for the real prize: an Academy Award. The Oscar race is pretty open this year, even more so after the Emilia Pérez debacle, but with its British centre of gravity and slightly differing nominations list, the Baftas have their own dynamic. Hence the Baftas can sometimes seem to be a fairground-mirror reflection of the American contest, or (looked at the other way) an assertion of a similar but separate cultural identity.

The most obvious example of this is the strong showing for Belfast rap comedy Kneecap, which could walk off with a fistful of Baftas, but failed to even get on the Academy nomination sheet. Hard Truths star Marianne Jean-Baptiste is the other big Oscar casualty, but she is in with a major shout for best actress here. And in a wider sense, the current Oscar frontrunners – The Brutalist, Anora, A Complete Unknown – may not resonate quite so strongly with British voters, so expect Conclave, a (largely) domestic effort, to put up a significant fight and follow through on its nominations lead.

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