Ikkis starring Dharmendra, Agastya Nanda and Jaideep Ahlawat to hit theatres on December 25

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Filmmaker Sriram Raghavan's highly anticipated war drama, Ikkis, has completed filming and is now officially slated for a theatrical release on December 25, 2025. Produced by Dinesh Vijan under his banner Maddock Films, the movie is a biographical tribute to Second Lieutenant Arun Khetarpal, India's youngest recipient of the Param Vir Chakra, who was martyred during the 1971 Indo-Pak war. The film, whose title Ikkis alludes to Khetarpal's age at the time of his sacrifice, stars Agastya Nanda in his big-screen debut as the young war hero. Veteran actor Dharmendra plays a pivotal emotional role as Arun Khetarpal's father, and the cast also features Jaideep Ahlawat and Sikandar Kher in key roles. Ikkis marks a significant departure for National Award-winning director Sriram Raghavan, known for his mastery of noir thrillers and crime dramas like Andhadhun and Badlapur. Raghavan described the project as a welcome break from his us...
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William Tell review – limbs fly as Claes Bang’s medieval hero rallies a Swiss army

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A classy cast plays it straight in this enjoyably daft action epic about the crossbow sharpshooter forced to shoot an apple from his son’s head

Nick Hamm lets rip with some gonzo Game of Thrones craziness in his retelling of the William Tell myth with a blue-chip cast. Limbs get chopped off in a style I haven’t seen since the days of Monty Python’s Black Knight. It’s the story of the 14th-century Swiss folk hero and crossbow artist, a peaceful farmer and huntsman who has endured continual tyranny and humiliation at the hands of his Austrian Habsburg masters, and finally rises up against them on a coward-of-the-county basis; the flashpoint being made to shoot an apple from his son’s head for the sneering amusement of the Habsburg nobleman Gessler.

It’s adapted by Hamm from the 1804 play by Schiller (not many action movies can boast that), but gives Tell a Muslim wife and adopted son that Schiller didn’t imagine; a flashback reveals this to be the result of Tell’s experiences in the Crusades, a time of bigoted cruelty. Hamm inserts into his movie some outrageous and enjoyable cod-Shakespearean dialogue.

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