Ranveer Singh to join Maddock Films’ expanding horror-comedy universe?

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The unprecedented success of Stree, starring Shraddha Kapoor and Rajkummar Rao, laid the foundation for Maddock Films to build its own horror-comedy universe. This cinematic world already features popular names like Pankaj Tripathi, Akshay Kumar, Rashmika Mandanna, and Ayushmann Khurrana. Now, the latest buzz suggests that Ranveer Singh may also be joining this growing universe. According to a report by Mid-Day, a source close to the production revealed, “Ranveer has been in conversations with Dinesh for a while. He was at the Maddock office last week. The makers wanted a fresh energy to drive the next chapter, and Ranveer is keen to explore the genre. The paperwork is likely to be completed soon.” The source further added, “The idea is to create an Avengers-style culmination down the road. They are discussing dates, as Ranveer will soon wrap up Aditya Dhar’s Dhurandhar. He has also allotted dates for Don 3. This project is expected to go on floors in early 2026.” As of now, neither ...
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William Tell review – limbs fly as Claes Bang’s medieval hero rallies a Swiss army

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A classy cast plays it straight in this enjoyably daft action epic about the crossbow sharpshooter forced to shoot an apple from his son’s head

Nick Hamm lets rip with some gonzo Game of Thrones craziness in his retelling of the William Tell myth with a blue-chip cast. Limbs get chopped off in a style I haven’t seen since the days of Monty Python’s Black Knight. It’s the story of the 14th-century Swiss folk hero and crossbow artist, a peaceful farmer and huntsman who has endured continual tyranny and humiliation at the hands of his Austrian Habsburg masters, and finally rises up against them on a coward-of-the-county basis; the flashpoint being made to shoot an apple from his son’s head for the sneering amusement of the Habsburg nobleman Gessler.

It’s adapted by Hamm from the 1804 play by Schiller (not many action movies can boast that), but gives Tell a Muslim wife and adopted son that Schiller didn’t imagine; a flashback reveals this to be the result of Tell’s experiences in the Crusades, a time of bigoted cruelty. Hamm inserts into his movie some outrageous and enjoyable cod-Shakespearean dialogue.

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