Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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William Tell review – limbs fly as Claes Bang’s medieval hero rallies a Swiss army

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A classy cast plays it straight in this enjoyably daft action epic about the crossbow sharpshooter forced to shoot an apple from his son’s head

Nick Hamm lets rip with some gonzo Game of Thrones craziness in his retelling of the William Tell myth with a blue-chip cast. Limbs get chopped off in a style I haven’t seen since the days of Monty Python’s Black Knight. It’s the story of the 14th-century Swiss folk hero and crossbow artist, a peaceful farmer and huntsman who has endured continual tyranny and humiliation at the hands of his Austrian Habsburg masters, and finally rises up against them on a coward-of-the-county basis; the flashpoint being made to shoot an apple from his son’s head for the sneering amusement of the Habsburg nobleman Gessler.

It’s adapted by Hamm from the 1804 play by Schiller (not many action movies can boast that), but gives Tell a Muslim wife and adopted son that Schiller didn’t imagine; a flashback reveals this to be the result of Tell’s experiences in the Crusades, a time of bigoted cruelty. Hamm inserts into his movie some outrageous and enjoyable cod-Shakespearean dialogue.

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