Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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K-Family Affairs review – childhood memories act as chronicle of South Korean democracy

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Nam Arum’s debut documentary weaves intimate home videos and family stories into an interrogation of the aftermath of Chun Doo-hwan’s dictatorship

The personal and the political collide in Nam Arum’s astonishingly assured debut, an astute chronicle of South Korean politics through the lens of family memories. Weaving intimate home videos with poignant archival footage, the film-maker makes tangible the invisible link between the private and the public spheres.

As a family portrait, Nam’s documentary refreshingly moves on from the usual emphasis on generational differences, focusing instead on how youthful idealism metamorphoses over the years. As part of the pro-democracy 386 generation who came of age during Chun Doo-hwan’s military dictatorship, Nam’s parents were politically active as students. Their paths following their marriage, however, took contrasting turns. Once an optimistic investigative journalist, her father chose to become a civil servant instead, and with each change of government he was arbitrarily shuffled between departments. Nam’s mother, on the other hand, devotes her time to women’s rights groups.

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